My mother's guitar, silent now these
past few years, rests in a corner of the room,
behind that old worn chair, each weary,
I remember clearly the first songs
it offered up: Froggy Went A-Courtin,
Blowin' in the Wind, The Wayfaring Stranger,
remember, too, the warm earthen smell
inside its Bible-black case, the ghost image
of its six strings in that gold plush lining,
long, thin roads disappearing into themselves;
I can see the wooden cathedral hidden
within the sound hole, small sparks
of angled light drifting in and out of view.
The hands that made those chords ring have
flown like birds, far away, hands gone
arthritic, fingers alternately tingling and numb.
But I can still feel the fine ridges wrapped
around each string, how the smallest touch
sounded like a secret being whispered,
a kind of conjuring with no need for words.
It rests here now, between journeys, exhaling
nearly audibly, holds its songs closely,
forever patient in its memories, its history,
its knowing, not forgetting the breath
and blood that rose to meet it,
not letting go of any of it. Not just yet.