BLONDE WOMAN ON A LABRETTA, 1965

 

(from a photograph by Joel Meyerwitz)

It's the way she pauses on that sporty blue scooter, poised and seemingly without care, the movement of the street suspended around her, stoplights counting out their seconds, a few men talking, too distant to be heard. It's enough time, at least, to gaze at her freshly-manicured nails, to feel the subtle breeze ruffling her lavender dress, her loosely pinned-up hair, touching one side of her face like a blessing. Years later, John Lennon would be murdered on the sidewalk to her right, a thin and permanent shadow cast across this intersection. But for now, it's enough to ponder where she might be headed on this sunlit afternoon -- a drab office job or soiree uptown -- as the signal sends her forward to the next block, and the next, this afterimage a reminder of a day long past, here and gone at once, its edges softening into a blur.

THIS FUMBLING

 

Nonetheless, morning comes,

as it always does.

I wake before dawn,

feed the cat, pour my coffee

into a Ball jar, unaware

that you have left this world

sometime in the night.

The radiator makes a creaking

sound; the phone is silent.

This fumbling, this calm unknowing

is in itself a small corner

of paradise I will recognize

only long after the fact,

when its comfort has moved

elsewhere, and I cannot

hope to enter again.

VINTAGE

 

I have reached the age when walking into

the local Goodwill feels like nothing so much as

a time capsule of every childhood store

I once wandered, unaccompanied, losing myself among

the latest shoes and clothes, the novelties,

televisions and stereos my family could never

have afforded, days when the mall was a great city

of the mind, and the better half of a day could be lost

thumbing the racks at Great American Music.

I have become, along with my once-youthful peers,

and every generation before us -- vintage,

a word we never would have uttered as kids,

clad in our secondhand polyester pants, creeping

above our ankles, our threadbare sweaters

and enormous collars, nothing ever fitting quite right.

But here are the parachute pants and windbreakers

I once longed for, those white Nike sneakers

with the red logo that all the bratty UMC kids had,

the leather jacket I paid next to nothing for.

I think also of you, my love, how you could always

find something of worth to be reclaimed,

a jumper, a blouse, or dress to mix and match

with something at home, an unexpected pairing,

as perhaps we were all those years ago,

complimenting each other before irrevocably clashing.

I think of the racks of cotton and rayon removed

from your closets, faux fur and pencil skirts,

baubles, beads, and broaches packed up and driven

from your empty apartment to the thrift store.

I see some things you might have liked,

but I'm not buying, just passing through today,

having run this last errand on your behalf,

the bright January sun offering precious little

warmth, casting its unwavering glare in my rearview.

LITTLE TREE

 

When my daughter was born, not

so very long ago -- entering this world early,

small enough to cradle in the palm

of my outstretched hand -- a friend gifted

our family a fig tree planted in her name,

thousands of miles from the cool, white hospital rooms

we called home during those first few weeks.

This morning, the rockets again drawing

their wordless script across that ancient landscape,

obliterating much, erasing the prayers

of the many and the few, their message

unmistakable, familiar, everything seems closer,

visceral, as sudden and startling as a punch.

I think again of that little tree, giver of

shade and light, respite, oxygen, that seemingly

endless ladder of knots and hidden doorways

for young, skinny arms and legs to climb,

stretching its coils of roots tentatively into a soil

continually scarred and shuddering with uncertainty;

little tree, little lamp, beginning and ending of

every fable, making its way -- as it must --

upward into the bright expanse of sky.

A SUDDEN DOWNPOUR

 

The sky opens without warning, as it will

this time of year, while a woman races across

the parking lot of a local department store,

weighted bags on either shoulder, her two

young children holding up the hem of her long

summer dress as though it were a tent.

I can hear the lilt of their voices rising

to meet their mother's, hear the wet slapping

of their flip-flops against the pavement;

and I can hear their laughter ringing out

between words, a sound that is easily understood

in any language, welcoming this sudden storm.

This is only rain, after all, not the hot metal

of bombs, no more to be feared than the sound

of their breathing or names spoken aloud.

For now, their mother keeps the sky away.

For now, this is all the shelter they will need.

ROGER

 

They said you were trouble even back then,

hanging from the highest ledge

you could find, cadging smokes from

the older boys, proud to add a new curse word

to your ever-expanding arsenal.

I knew only that you were my friend,

no better or worse than the rest of us project brats,

in and out of the system, wandering our

small world freely, mostly without consequence,

scavengers and explorers not expected

home until the blue-tinged halos of

streetlights flickered up and down the block.

Years later, visiting our foster mother

for what would be the last time,

I asked about you, and where you might be.

"Oh," she sighed, as if blowing out

a puff of imaginary smoke, while gazing

down at the gray-tinged sidewalk, "You don't

want to know about Roger. Believe me."

I knew that she meant jail, knew she meant

one wrong turn leading to another, and another,

until no escape route could be found,

I knew that she meant you never really stood

a chance, a born and raised statistic.

I made my own mistakes, neither unique

nor decisive -- but I am still here

to speak of you, to remember your wildness

as the innocence it was, your laughter

pure as you raced through the ditch grass,

rough stars from the sticker bushes

clinging to your skinny ankles, running simply

for the sake of running, or maybe

just to show the rest of us

where that trampled path might lead.

THE COUNTY LINE

 

(Tyyne Natus, 1906-1953)

Having waded through the green waves of ditch grass

and wildflowers, bramble grown nearly waist-high,

the prickly stems of young strawberries

and the private cosmology of gnats, we arrive

like casual explorers to examine the broken foundation,

hidden from view off the highway, of what once was

The County Line Bar, place where my grandparents --

only yesterday it seems -- served up drinks

to the always thirsty locals and those passing through,

and no doubt consumed as much as they sold.

Who's to say that these ruins are not sacred,

or their ghosts worthy of remembrance?

Just over there, my grandmother stood for what has

become my favorite photograph of her, framed

on either side by my grandfather and two regulars,

laughing, girlish and seemingly without care,

her small dog held close against her, one cloud of breath,

all but invisible, hovering in the crisp winter air.

This is how I want to remember her, her smile

like a sudden flash of daylight, the gold in her hair

shining, even in black-and-white -- before the loss

of a son on the other side of the world tore

something in her irreparably, before the alcohol bruised

and the weight of her days became too much.

I need to remember this moment, if only for myself,

to remember that she knew joy upon this earth,

the ease and gentleness of common things,

that she loved and was called beloved in return.

DOG DAYS

 

Those long summer evenings of childhood,

when the air stilled, thick and sticky with heat,

and it became impossible to sleep,

my brother and I would bring our pillows

and bedclothes into the living room,

camping out on the floor like intrepid explorers,

stripped down to our white briefs,

our thin cotton sheets billowing like sails

toward the uncharted waters of sleep.

We could hear the chirr of crickets,

and the thump of moths against the screen,

dreading the high and tiny sirens

of thirsty mosquitoes circling the dark.

We would take turns getting up to readjust

the old box fan, which rattled and shook, never

quite staying put but pulling itself forward

bit by bit, or turning slowly to the opposite wall,

as if it knew a better way out of this misery,

this engine to our imaginary boats,

so clumsy and so stubborn, though it was

all we had, its rusted heart and grimy blades

slowing and sputtering to a stop, then

starting back up again, shaking off its own sleep

for our sake, and always -- we hoped --

strong enough to bring us home by morning.

CARRYING MY DAUGHTER TO BED

 

My daughter, so proud lately of her lengthening limbs

and muscles, still asks, on most evenings,

to be carried to bed, which -- amazingly, though

with no small effort -- I am still able to do.

Long gone are the days of lifting her with ease,

as though moving one of my own limbs,

absentmindedly, up or down, gone now the special hold

I somehow stumbled upon when her wailing --

as if the entire anguish of the world had

been condensed into one elongated vowel --

simply could not be consoled, her small and fragile

body held out before me, head resting snugly

in the palm of my hand, her torso fitting perfectly

into my forearm, her flat and skinny feet,

not yet having touched upon earth

or grass, reaching out into the air, unafraid,

and we swayed that way, gently, almost imperceptibly,

upon the kitchen linoleum, until her cries

drifted slowly into coos and gurgles, and at last

into the welcome silence of sleep.

Tonight, I carry her down the narrow hallway,

turning sideways, and with little grace on my part,

dropping her into the soft familiarity of

bedsheets and blankets that bear her fragrance,

her shape still faintly visible from the night before,

where she will drift again into weightlessness,

her body building itself even when she

is seemingly gone, as the map behind her eyelids,

the one only she can read, draws her

forward, relentlessly forward.

DANDELIONS

 

Perhaps I have been too hard on the housing projects of my earliest years, as if they were merely prisons to be endured. We had yards, after all, as Louie Anderson reminded me. We had clean water and our own rooms, we had a washer and a dryer, and windows which kept out the winter air. We didn't even remember that we were trash, until someone at school reminded us. I learned to play soccer, albeit poorly, with the Vietnamese kids next door, only vaguely understanding the word refugee. We slurped our ramen at lunchtime, me inevitably making a mess with my chopsticks. I noticed that they laughed more easily than others around me, my family included. They grew their own vegetables in a small patch of earth out back, chomped on radishes and green onions right from the ground, washed clean with a garden hose. I loved most the dandelions which sprouted up everywhere overnight, like a thousand suns scattered across the sloping grass. I plucked and gathered them, careful in my choosing, brought them to the back door as a gift. But my mother refused them, saying they would only attract bees, and to throw them away outside. Many years later, when my little girl placed a small bunch of dandelions in my hand, something in me lifted and something in me mourned all over again. We brought them inside, placed them in a small vase, and the bees, busy with their tireless work elsewhere, paid us no mind at all.

THE UMBRELLA MAN

 

The umbrella repair man in West London

will fix yours for a modest fee,

set its broken spokes upright again,

turning expertly those pin-screws

too small for ordinary hands.

He knows all about your bad luck days,

the series of calamities that brought you here --

the time the cat ran away,

or when your car wouldn't start

and you were already late for the funeral,

the morning you were nearly blown

into oncoming traffic, your hat

carried somewhere down the road,

your flimsy umbrella turned inside out

against the maddening wind.

He's here to lift your humble sail,

to repair what otherwise would have been

tossed aside, to right and steady your course,

if only in this small, ordinary way,

to send you back into the next downpour,

calm and confident, gray rain falling

hard all around you in a nearly perfect circle,

while you remain unbothered,

as though you were some kind of royalty,

as if you were hardly there at all.

FINNISH PANCAKES

 

We stand at the kitchen counter,

my young daughter and I, mixing together

the milk, flour, sugar, and eggs by hand,

and per the family recipe, we do not measure

too closely, and are careful not to over-mix.

This recipe, handed down from her great-aunts,

and much further back than that,

is more feel than science, I am reminded,

not so different than writing a poem or falling in love.

In other words, it's always the first time.

When in doubt, add more butter,

always remember who you are cooking for,

and don't be afraid of small mistakes.

We can never resist peeking into the secret realm

of the oven as it browns and bubbles up

over the rim of the pan, as if from the earth

itself, lovely in its imperfection. Moments later,

lingonberries and maple syrup dripping

from our lips, we agree that this must be the best

batch yet -- until the next, and the next.

This is sustenance, after all, but also

a kind of song, a calling back to a world

long past, before setting out into the bright

expanse of this new day.

CAESURA

 

Sibelius, too, near the end,

learned to love silence

more so than the notes which

he once constructed,

held one finger up to the air,

as though about to sign

his name -- but, of course,

his name was already there.

SECOND MEETING WITH MY FATHER

 

After burying my half-brother that afternoon, I asked the cab driver to drop me at my father's shop on Rice Street, two blocks up from the housing projects, where as a child I had so often imagined him, alternately captaining a ship through far-off lands, or swilling cheap wine under a bridge with the other derelicts. But here I was, surprising him, weighted and imbalanced with grief and a lifetime of questions which I could not bring myself to articulate, even now. He moved, at his ease, through rows of carpet and color samples, walls stacked with gallon drums of paint, back to his wood-paneled office. I noticed the pigmentation of his hands had receded, leaving patches the color of lard shining through, or the underside of a painting that has begun to chip. "Well..." he began, offhandedly, "you and I just kind of went our separate ways" -- as if this were an explanation, as if the child had somehow agreed and denied the father as well. He leaned back in his desk chair, hands clasped behind his head, elbows pointed in either direction, asked what I did for a living. I told him that I was a poet, which he failed to acknowledge one way or another. "I mean," he tried again, "What do you do to put money in your pocket?" I shrugged, stammered out one dead-end job or another. It was hard to imagine this most plain-spoken of men ever sweeping my mother off of her feet, however briefly. But wounded people have a way of finding each other, and are privy to a language of their own. It was, in part, why I was here, a product of that wound. This, then, was the earthly kingdom he had constructed, and had chosen again and again. It was, I suppose, a life that he could understand, one of facts and figures, the tangible and the easily stated. I left him to it.

ILLNESS DURING CHILDHOOD

 

When my daughter becomes sick with fever,

unable to keep even water down, I am taken back

suddenly to those terrible illnesses of childhood,

gathering like storms on the horizons of

our brows, all of us, heat blazing through temples

east and west. I remember the holy eucharist

of saltines and warm 7-Up, the pinpricks of pleurisy

through lungs gone weary with coughing,

throat scraped raw, red one day, spotted white

the next, giving up the ghost of speech;

remember, too, the little brown bottles of Robitussin,

the mountains of knotted tissue hardening,

the smell of sickness seeping into everything.

I am reminded of how we learned to walk

through sleep, as we had in waking life, pushing

hard in our delirium against heavy furniture

as though ships stubbornly clinging to shore,

while visions of saints and ancestors floated patiently

past our doors and windows, visitors which no one

would have believed had we mentioned them.

I remember how we became somehow weightless

and immovable at once, sleeping so hard

that no dream could have roused us, our limbs

growing limp and longer through the night,

reaching out for that mythical land of sunlight

and well being, until one morning we did

awake, bright eyed once more upon a shore

of cool linoleum, our bodies new and uncertain,

flat feet plodding from one room to the next,

so thirsty that we could have drank the rain clouds dry.

MY GREAT GRANDMOTHER AT 75

 

In the photo, grown cracked and distant

with age, my great-grandmother Kustaavas is seated

outdoors, her plain dress dignified, unadorned,

a large birthday cake balanced on her lap.

Her face, remarkably unlined, looks on, quizzically,

head tilted slightly to one side, a thin glimmer

of a smile shining forth through shadow.

She is centered perfectly in the frame,

as she was undoubtedly in life, yet clearly seems

unaccustomed to such a fuss being made.

In the lower left, the back tire of a Model-T

casts its lengthening shadow, a tangible bridge

stretching from one century to the next;

while further off to the right, a milk pale stands

as a reminder that this life is a life of work,

its chores never finished, and that cows, chickens,

and children pay little heed to the sabbath.

But in this moment, at least, she appears content

with it all, the moment of stillness well earned.

In the next, she will draw her breath in deeply,

blow the candles out like so many sparks

of light in the night sky, out past the camera's

shuttered lens, beyond her own imagining,

far enough to find us here, still in need of such light.

Send more, Isoäiti, send more.

SMOKING IN THE MOVIES

 

The legendary smokers up on the big screens

have all but vanished from our lives,

which I suppose is just as well, there being

precious little glamor in its end result.

But there was a time, not so long ago, that

we believed in that nameless hero, strong and silent,

smoking while gazing out upon the plains, far

from everywhere, and the villain, killing simply for

whimsy and fame, always one step ahead.

We believed in the femme fatale blowing smoke

rings that floated off like ill-shapen hearts,

and the hapless men falling over themselves

to offer a light to the blonde bombshell.

We followed the descent of the good girl

gone bad, the private thoughts of the lonely P.I.,

lighting up as he walked on, fading from view.

We winced at the callous boss and his wet stogie,

sighed in the obligatory afterglow of a motel room;

we fell in love with the passing stranger,

even when we knew better, the ingenue gazing

across a smoke-filled room, smoke like a veil

between illusion and the all-too-real.

But we no longer believe. We are, it seems,

wizened, streamlined, our words, like the thoughts

that lent them, reaching upward in wafer-thin

knots, weighing no more than air.