RITUAL

 

In those days, back in the hills of Tennessee, you knew why

the church bell tolled at an unusual hour of the day,

sometimes signaling with a few short hammer strokes,

sometimes slow and sustained, going on and on,

ringing out once for each year of a life now passed.

Someone had to cover the windows and mirrors,

lest the spirit enter and be trapped inside the glass.

Someone had to edge the stationary in black, and to stop

the clocks, as they had stopped for the departed.

Someone had to wash the body, a sacred rite for the closest

of kin, neither to be hurried nor turned away from.

Someone had to stay up with the body, keeping watch,

wildflowers and juniper masking the smell of decay,

mingling with the warm comfort of constantly brewing coffee.

My mother has not forgotten placing silver dollars

on the eyelids of aunts and uncles, of touching

the hand of the deceased in the belief that it would

remove a blemish, which she says it did. But my mother --

having buried her parents, siblings, and two children

at early ages -- is a lifetime removed from that wide-eyed girl,

and from that sepia-tinted world of front porch songs

and white whiskey, of tobacco leaves on bee stings

and a pair of good overalls for Sunday, a Ball jar of pickled

pig's feet and a can of bacon grease above the stove.

She has requested for herself that there be no ceremony,

no tributes, no songs to be song or scripture read,

and above all, no one gazing upon her body.

Perhaps she is simply removing the trappings of this world

in advance, blotting out the unnecessary, the gaps

in her memory becoming the narrowest of bridges now;

her prayers -- whatever they may hold, in whatever

order recited -- require no words to be lifted.

MY MOTHER'S CHINA

 

My mother's china -- bone-white, heavy in young hands,
encircled with a pattern of sky-blue flowers
and filigree, tiny leaves pointing in all directions
at once -- emerged from the far reaches of the cupboards
only twice a year -- Thanksgiving, and Christmas.
It was a set acquired, piece by piece, each having its day,
by saving up a small fortune in S&H green stamps
from the local Red Owl -- the delicate teacups
and saucers, the weighted serving tray, dinner plates
and bread plates, a cream pitcher for coffee.
Even butter claimed its own home -- such extravagance!
Yet we could not have know -- how could we? --
what such an ordinary luxury might mean to our mother,
to at last have something simple and fine, something stately
among the brick and cinder block of the projects,
the mountain girl from Tennessee, denied even a doll
or summertime shoes, trying hard to forget one
lifetime while imaging another, brighter somehow,
which might or might not choose to emerge.
But twice a year, at least, we drank our milk from goblets
like royalty, poured our canned, grayish vegetables
and gelatinous cranberry sauce onto what we imagined
must have been the prettiest plates in town,
while that gravy boat, loaded with thick, brown cargo,
sat motionless among the white cloth of its waters,
dreaming already of the long voyage home,
its sturdy bow not to be seen again for months.

MY MOTHER'S SAINT PAUL

 

Before my mother moved to the other side

of the country, leaving only her guitar for safekeeping,

she wanted to drive the city one last time,

to claim and to remember, startling me with

a sudden and unbidden openness,

I had never in my life witnessed from her.

She drove slowly, intentionally so, in that big white boat

of a car, down University Avenue, a street

we never ventured near as kids, nothing but

adult bookstores, porn theaters, and seedy bars.

We heard stories, locked the car doors when riding past.

Those old ghosts were gone now, along with

the small honky tonks she once played, underage,

the low-tiled ceilings yellow with smoke,

barely tall enough to accommodate an upright bass.

We rounded the smooth asphalt encircling Como Lake,

the zoo just up the hill, the same trickling waterfall

where as kids we were chased off by security.

The White Castle where she worked as a teenager

was still serving up greasy sliders with onions,

and the baseball diamond at Mechanical Arts school

where she played with the boys after school

looked very much the same to her eyes.

She speaks, lastly, of the childhood home

that never quite was, the collective nightmare

that she and her sisters somehow survived.

What does it mean, I wondered, retracing the maps

of our past, searching for structure, for patterns,

a road back that might in turn lead safely out?

We want, if nothing else, a narrative that makes sense.

This is the house where she learned to play,

she says, practicing for hours until her fingers bled,

and this is where she first saw snow falling

at the age of six, running outside in audible wonder,

this skinny girl from the hollers of Tennessee,

looking up and up, tasting each frozen star

upon her tongue, so cold they startled each time,

their small light disappearing on contact.

TOBACCO

 

I never took up the family habit of smoking,

as my grandfathers did, both of them eaten away

by cancer -- or my grandmother Artie,

who spit that bug-colored juice into a milk jug

just off to the side of the open porch,

as discretely as one could manage, not wanting

the world to know that she chewed the stuff.

But when my mother was a girl of five

or six, she reminds me, she was startled and stung

by a wasp, and her blonde, skinny arm began

to balloon, her breathing soon reduced

to a labored wheeze, the blue sky wheeling

and the dark earth pulling its door

open beneath her, she remembers her uncles

running gangly-limbed out to the field

to snatch a few green and fragrant leaves,

dowsing them with well water and wrapping them,

gently, around her red and swollen skin.

"It must have worked," she smiled softly, her eyes

grown distant and wistful in her remembering,

"Because here I am." Did she mean merely

that we make do with the remedy we have on hand,

or that one poison sometimes erases another?

Some lessons, perhaps, are lost on a son

born and raised in the frozen north.

But I can kiss and wrap a wound, I can run

when my daughter is on the cusp of falling, or edges

too close toward the oncoming traffic.

We are both, to our occasional and mutual

wonder, stronger and faster than we could have

imagined only moments before.