WHERE THE OLD HOUSE STOOD

 

After your funeral I walked, by memory, to the old house,

as if I might somehow find you lingering there,

as if the years had waited all this time, unchanging.

But the old house, dear brother, was nowhere to be found.

A new one stood in its place -- charming and respectable, freshly

painted, with an impossibly green and manicured lawn.

Nothing you would have recognized. Only the trees

seemed familiar, the old and stately oaks grown older still,

the fan dance of their shadows wavering at my feet.

They would know you, I'm sure, as the lake water would,

as I barely had time to before you were gone.

We are becoming part of the past, dear brother,

a world which we had no idea we were creating as kids;

and it's something I can just about see if I narrow my eyes,

the way a rough sketch hidden beneath a painting

can be seen when held up to a particular kind of light.

Would you mourn this loss with me, I wonder.

Or would you perhaps be grateful, as I am, that no one now

can sleep where we slept, dream where we dreamed;

no one will smoke unfiltered Camels on the slanted roof,

the chilly autumn sunlight looking on in silence.

Those rooms where we laughed, where we fought, talking

long into the night, stand within these walls of words --

every door and window intact, every creak and groan of that

shifting house familiar. It all belongs to us now.

RITUAL

 

In those days, back in the hills of Tennessee, you knew why

the church bell tolled at an unusual hour of the day,

sometimes signaling with a few short hammer strokes,

sometimes slow and sustained, going on and on,

ringing out once for each year of a life now passed.

Someone had to cover the windows and mirrors,

lest the spirit enter and be trapped inside the glass.

Someone had to edge the stationary in black, and to stop

the clocks, as they had stopped for the departed.

Someone had to wash the body, a sacred rite for the closest

of kin, neither to be hurried nor turned away from.

Someone had to stay up with the body, keeping watch,

wildflowers and juniper masking the smell of decay,

mingling with the warm comfort of constantly brewing coffee.

My mother has not forgotten placing silver dollars

on the eyelids of aunts and uncles, of touching

the hand of the deceased in the belief that it would

remove a blemish, which she says it did. But my mother --

having buried her parents, siblings, and two children

at early ages -- is a lifetime removed from that wide-eyed girl,

and from that sepia-tinted world of front porch songs

and white whiskey, of tobacco leaves on bee stings

and a pair of good overalls for Sunday, a Ball jar of pickled

pig's feet and a can of bacon grease above the stove.

She has requested for herself that there be no ceremony,

no tributes, no songs to be song or scripture read,

and above all, no one gazing upon her body.

Perhaps she is simply removing the trappings of this world

in advance, blotting out the unnecessary, the gaps

in her memory becoming the narrowest of bridges now;

her prayers -- whatever they may hold, in whatever

order recited -- require no words to be lifted.

TAKING PHOTOGRAPHS AT FUNERALS

 

It was, my cousin reminds me, once quite common for one family member or another to snap a photograph of their loved one in final repose, a keepsake to be placed among the golden locks of hair, the bronzed baby shoes, and that tiny bracelet that somehow fit on your grandmother's wrist. They would not have minded, we would like to imagine, going as they were before the Maker in their Sunday finest, faces freshly painted and powdered, sunken cheeks glowing rosy once again. In childhood, those images never failed to startle, while thumbing the thick pages of the family album -- the scene shifting suddenly from kids laughing through the candlelit glow of birthday cake, or your mother holding your sister next to a dog whose name no one can recall, to a waxen, expressionless face peering above a casket's satin pillows, its exterior dark and final. It seemed ghoulish, and perhaps selfish, the need for that one final image of one who could neither smile nor offer consent. But perhaps such clinging is not unreasonable. Perhaps I am no different, telling this to you, conjuring with words the unreliable visages of the past, endlessly attempting to name and reclaim a part of the world that has long since departed.