TO THE YOUNG WOMAN WEEPING WHILE DONATING PLASMA

 

I cannot know your story -- the river of time

and circumstance that brought you here

today -- only this slender moment of quiet

unraveling, weighted tears pooling and tumbling

from the corners of your almond eyes,

gray-blue and receding from view, your face --

so young -- bruised already from within.

Grief has come to claim you, this much is clear,

blurring your edges, as though submerged,

even in this clinical afternoon light;

grief gazes back, unblinking as the day itself

through the clouded lens of your phone.

The little I know, or at least pretend to believe,

I cannot speak, not wanting to be the unwelcome

stranger who pierces your necessary solitude.

I would not trouble you with all the heartaches

yet to come, as they most certainly will;

I would speak only of the moments between,

moments of ease and exhalation where

you could alter course, arranging possibilities

like so many books upon the shelf. I would

remind you simply to raise high the window blinds,

to leave the door ajar, so that when joy

returns, it will know just where to find you.

YOU CAME TO ME AGAIN

You came to me again in my sleep, as if nothing had changed between us. You wanted to talk about old movies, talk about money and how it made no sense. I had longed for the sweetness of the mundane, the steady rhythm of the dripping faucet wearing away the porcelain of the bathroom sink, dust building its imaginary creatures below our feet. Most of all, I didn't want to tell you that you were gone, slipped silently from this world while you were unaware. But I wanted you to mourn the loss of yourself, as I have, this life of chores and small, fleeting pleasure, the stubborn yet fragile body which gave you so much trouble. Of course, you were better at explaining things, as you often did for me. The words I offer are half-formed and ordinary, hovering between us, neither moving nor standing still. Last week, your sister called to remind me that everyone in our dreams is but a different version of ourselves. If this is so, I am again talking to myself, while you are wondering whether to accept my explanation, whether to answer with words, or the silence we have agreed upon for so long. 

 

MY FATHER'S FACE

 

How many times, during those early years

of childhood, did I imagine the angled ridge of his jawline,

sharp with stubble, rough to the touch,

or freshly shaved, pinkish and smooth, smelling

of Aqua Velva aftershave, rye whiskey,

the faint residue of Lucky Strikes.

How I imagined, too, his ears, their lobes thick

and dangling like bells, his nose -- sometimes wide,

sometimes narrow -- dark pores oily with sweat --

and, of course, I tried hard to see his eyes,

their size and shape, what light might have been

captured there, the level of their questioning,

the depth of their feeling or recognition.

My mother, having not a single photograph

to show, said only that if I wanted to see

my father's face, I could just look in the mirror.

But to me, it might as well have been

the face of God, Jesus, or Job, those mythical

faces seen only in my imagination.

It was, after all, the face that my mother

once held, smiled back at, and breathed in deeply,

if only for that moment, the face that would

refuse, again and again, to look upon my own.

Though it was hard to imagine even

a narrow smile upon that face; and equally as hard

to conjure a look of sorrow or regret

brought forth by the burden of his leaving.

It was, I realize now, the face that was

always there, face beneath my own, long before I could

see or remember, its own shroud and palimpsest,

forever turning and turning away,

even now as I write these lines, a mask

of interiors silent as river stone, unraveling on sight,

a tale to be believed only by its absence.

MY FATHER FLYING ABOVE REYKJAVIK

 

It's sometimes hard to imagine my father's face,

even when looking at an old photograph.

In my mind's eye, he is always turning away,

as he is in this moment, maneuvering through the clear

arctic air 10,000 feet above the city of Reykjavik,

as far removed from the fields of Aitkin, Minnesota

as his imagination would have carried him.

I can see the smooth, unlined flesh of his neck

peeking between his military cut and Air Force collar,

can see the blue-green lights of the control panel

blinking like stars, now closer, nor farther.

This would be long before he met my mother,

before he left us, and those families which came before.

This is, you might say, a test run for leaving.

He is an apt pupil, willing to put in the long hours.

Does he spare a thought then for his older brother,

my uncle Leo, drowned, so very handsome at

the foot of Mount Fuji, his uniform weighing him down,

a birthday card written out to his sister floating

on the silent surface like a forgotten map?

Or does he think only of this -- the acceleration

and ascension, the world falling away below,

everything making more sense from this distance?

The sky trails behind him like a new signature.

He may never come down again.

LAYOVER

 

When I find myself walking through the airport,

the enormous glass walls filled with sky

and my own meager reflection, ostensibly

just another middle-aged traveler wandering lost,

I am, unbeknownst to others, suddenly

thirteen years old again, traversing that strange city

of flight alone, disregarding the instructions given

to me by the kindly airport attendant, a young woman

in a wine-colored smock and neatly-tied scarf

smelling vaguely of vanilla and lavender.

I had never flown, and found myself suddenly

on a solo endeavor, anxiously en route

to stay with my brother or sister out west --

no one had quite determined where

I would end up -- the quietly stubborn kid

enamored with music and poetry, the mysterious world

of girls from which they all seemed to emanate.

My mother, who no longer wanted the job,

would be staying where she was, taking yet another

sabbatical from her parenting career.

So, I found myself on layover, hovering between

cities, and between lives, daydreaming past

the gift shops and baggage carousels,

the lounges overflowing with beery conversation

as the Cubs struggled to pull out a win.

I suppose my mother meant to impart a lesson,

but I already knew how to leave

and not look back, knew how to get lost

in the secret rooms of self, or deep within a crowd.

Overhead, I could hear the formless voice

calling out gate numbers and departure times,

the soft-spoken warnings, as if this were all merely

a game of chance, some tickets better than

others. Who could say which was which?

I walked on, only half listening, for something

that sounded vaguely familiar, the right combination

coupled with a bit of urgency, something that

would lead me, for now, homeward.

DEMONS

 

In my mother's view of the world,

a world long since passed

into memory and family lore, nearly every

affliction of the body, psyche, or soul

could be ascribed to demons.

There was the demon of alcohol, persistent

and familiar as the setting sun, the demon of lust,

the demon that caused epilepsy, and

my stammering lisp as a child.

Demons were, it seemed, everywhere --

in constant need of being cast out, sometimes

forcefully, in the sanctum of the church,

and in our humble living rooms,

the preacher gone red-faced with intent,

his voice commanding, one tiny river

of sweat trickling down his cheek.

My mother said, more than once, that my father

must have been possessed by demons

which had caused him to gamble and drink,

to womanize, and abandon his children,

running like a fugitive from one end

of the country to the other, and back again.

She didn't mean it metaphorically.

She meant, I think, that no man could

possibly be purely evil without

some assistance, that there must be

an unseen hand holding the map,

guiding, relentlessly turning his back to the world,

and sweeping clean his tracks

until the man himself, however upright he

had begun, could no longer be seen.

SECOND MEETING WITH MY FATHER

 

After burying my half-brother that afternoon, I asked the cab driver to drop me at my father's shop on Rice Street, two blocks up from the housing projects, where as a child I had so often imagined him, alternately captaining a ship through far-off lands, or swilling cheap wine under a bridge with the other derelicts. But here I was, surprising him, weighted and imbalanced with grief and a lifetime of questions which I could not bring myself to articulate, even now. He moved, at his ease, through rows of carpet and color samples, walls stacked with gallon drums of paint, back to his wood-paneled office. I noticed the pigmentation of his hands had receded, leaving patches the color of lard shining through, or the underside of a painting that has begun to chip. "Well..." he began, offhandedly, "you and I just kind of went our separate ways" -- as if this were an explanation, as if the child had somehow agreed and denied the father as well. He leaned back in his desk chair, hands clasped behind his head, elbows pointed in either direction, asked what I did for a living. I told him that I was a poet, which he failed to acknowledge one way or another. "I mean," he tried again, "What do you do to put money in your pocket?" I shrugged, stammered out one dead-end job or another. It was hard to imagine this most plain-spoken of men ever sweeping my mother off of her feet, however briefly. But wounded people have a way of finding each other, and are privy to a language of their own. It was, in part, why I was here, a product of that wound. This, then, was the earthly kingdom he had constructed, and had chosen again and again. It was, I suppose, a life that he could understand, one of facts and figures, the tangible and the easily stated. I left him to it.

COMFORTING THE CHILD

 

Being the only son of parents who

abandoned their children as easily as one

walks to the grocery store -- one

preferring the soft oblivion of Stoli and

sleeping pills, the other the peculiar balance of

status and anonymity that only money

affords, -- I stand, perhaps, too closely to

my own girl, always on guard,

hovering, worrying myself into sleeplessness.

I am nothing if not vigilant, an occasional

nuisance of concern, golden retriever of a father

at the gate, barely blinking, awaiting my cue.

When she races up the steps of her school,

confident in a way which I never was,

my pride mingles with a tinge of unspoken grief.

Still, I want nothing more than to be taken

for granted, to never be known as an absence.

I want for her the autonomy of knowing,

for love to be as constant and as easily forgotten

as the silent pulse of blood at wrist

and ankle, and my hand upon her shoulder

when she hurts, drawing circles

on her back, comforting, not only her

but the child no longer there.

WHAT WE CARRIED WITH US

 

It couldn't have been much, whatever

could be tossed into two plastic garbage bags

and carried, from the station wagon

to the front porch of our foster home,

a word which we had neither heard nor spoken,

but one that would become as common

as a surname, shorthand for others to describe us.

We carried our toothbrushes and combs,

clothes and underwear, carried whatever toys

or stuffed animal could be retrieved,

while the cacophony of sirens sped our comatose

mother to the cold comfort of hospital rooms,

plastic roses, a potpourri of pills to replace

the ones which had not managed to kill her.

We took a blanket or two, worn and pilling,

superhero pajamas, damp familiarity

of our own sweat-smell.

But mostly, we took all that we could not

speak of -- the unshifting weight which

an absent father leaves, ladder rungs of anxiety

we could neither climb nor give name to,

the mutual shame of bed wetting

and the sudden difficulty of common speech.

We carried each other, brother, hardly

aware that we were doing so, always balancing,

always stronger than we looked or imagined.

We carried that grief until it settled in,

quiet and unobtrusive, a gentle tune humming

through the bones. I'm singing it now, though you

have been gone now these many years,

pausing just long enough for you to whistle

through the grass blades, bend that grosbeak's note

just so, rustle the cotton shirts and work pants

upon the line in a pantomime of breath,

the familiar motion of walking away.

MEETING MY FATHER

 

I was ten years old when I first met

the man, shaking hands in a shopping mall

parking lot, as my mother looked on,

unimpressed and uncertain as to whether

this was a wise idea for any of us.

He was tall, dressed in a courtroom suit

and tie, saying, "Good afternoon" with

the practiced ease of a natural salesman;

told my mother that I was a good looking kid,

as if I weren't standing there beside him,

as if he couldn't speak to me directly.

This man I had secretly dreamed of,

who had, by default, become the hero

and villain of every boyhood tale,

this man who by his absence alone

had all but defined me, seemed to me

in that moment to be unforgivably ordinary.

We had a polite lunch, the three of us,

conversation sporadic and strained.

There was much to avoid, though we were,

all of us, long adept at doing just that.

There were no tears and no explanations.

I sat to his right, at his suggestion,

two left-handed eaters avoiding elbows.

And he was right: We did not touch.

Not that day, or any day yet to come.

PASSING THROUGH

 

Have the dead grown tired of our endless retelling?

It's enough to pass through the gates of suffering once.

The absences pile up, fill the smallest windows with shadow;

so many ghosts demanding their place at once.

When I loved you, I spoke in fragments and innuendo.

It's too dangerous to speak of love all at once.

Some people have barely spoken their names, and leave.

My father was a curse my mother uttered only once.

Our youth exists only in the backward glance of song,

the words and melody of which came together only once.

I had no idea it would take a lifetime for one simple thought;

and yet, had I to do all over again, I would do so at once.

Some say that we die within each passing moment,

though we have lived a thousand lives being here once.

When the worst at last happens, we learn to breathe anew.

Like all else, the unimaginable happens only once.