FIRST GENERATION

 

Our grandparents sent long, descriptive letters from across the ocean, while we recited the pledge of allegiance to a flag of forty-eight stars in a one-room schoolhouse, the familiar language of home left at the door, along with the breath-damp wool of scarves and mittens in winter. I am an American now, we were made to recite again and again, and to write it in our notebooks until it became as familiar as our own names, the names which others could not or would not pronounce correctly, and could alter with the stroke of a pen. Our prayers, too, were in English, but only when spoken out loud. Our parents, aunts, and uncles braided the old language with the new, sometimes losing track, beginning again, sometimes inventing a new word where no other could be found. But our silence, in endless variations, was easily understood, neither awkward nor American. It sat as easily as a hammock stretched between two pines, swaying gently from east to west, responsive to the slightest breeze.

THE UNSPOKEN

 

Part of Uncle Silas always resided in absence, the quiet and the still, his handsome face just off to the side in old photographs, gazing over his shoulder into the distance, or down at the solemn and familiar earth, smiling slightly, as if some joke or pleasantry had been spoken between them. Unlike my father, he took the cure for booze at the clinic in Duluth, telling no one, returning weeks later, clean-shaven and rested, as though he had merely driven to the grocery store and back. When he married, later in life, he didn't bother to inform the family, so averse was he to drawing attention to himself. He worked at the hospital up in Hibbing, learning the secret language of blood through the thumbnail lens of a microscope. He called it a dance. When ALS came to rob him of his touch, and then his speech, his limbs hardening like the branches of a weathered tree, he retreated further. I can see his sturdy frame receding, folding into itself, can see the old black-and-white television flickering, the news already old somehow. I can see the newspapers he could no longer hold stacked up beside him, all those words and faces gone blank, all those stories -- like his own -- waiting to be told.

LOST AND FOUND

 

It's not as easy to disappear as it once was,

back in those long ago days before endless threads

of information and the 24-hour news cycle,

before constant surveillance became acceptable,

and anyone, past or present, could be found

with a few clicks on a phone or laptop.

People went missing, and very often stayed that way,

sometimes by choice and elaborate plans,

sometimes turning up with amnesia

in a city on the other side of the world.

Those stories became books and movies, discussed

with amazement at work and the dinner table.

Deaths were staged, and former lives disowned;

a father went out for a pack of cigarettes

and was never heard from by his family again.

My own father ran a successful business

mere blocks from our home, though I never once

saw his face or heard his voice until years later.

You, too, old friend, somehow disappeared

in plain sight, your retreat at first subtle,

then complete, as if planned years in advance.

There was nothing anyone could do.

You became a story with neither an ending

nor linear narrative; though I am speaking of you

now -- that's nothing new -- speaking of you

in the only way I know, reminding myself

that once you were here, right where I am now,

and that once, not so long ago, you could

have said all of this better yourself, could have come

back, if only to tell us what really happened.

MY FATHER'S FACE

 

How many times, during those early years

of childhood, did I imagine the angled ridge of his jawline,

sharp with stubble, rough to the touch,

or freshly shaved, pinkish and smooth, smelling

of Aqua Velva aftershave, rye whiskey,

the faint residue of Lucky Strikes.

How I imagined, too, his ears, their lobes thick

and dangling like bells, his nose -- sometimes wide,

sometimes narrow -- dark pores oily with sweat --

and, of course, I tried hard to see his eyes,

their size and shape, what light might have been

captured there, the level of their questioning,

the depth of their feeling or recognition.

My mother, having not a single photograph

to show, said only that if I wanted to see

my father's face, I could just look in the mirror.

But to me, it might as well have been

the face of God, Jesus, or Job, those mythical

faces seen only in my imagination.

It was, after all, the face that my mother

once held, smiled back at, and breathed in deeply,

if only for that moment, the face that would

refuse, again and again, to look upon my own.

Though it was hard to imagine even

a narrow smile upon that face; and equally as hard

to conjure a look of sorrow or regret

brought forth by the burden of his leaving.

It was, I realize now, the face that was

always there, face beneath my own, long before I could

see or remember, its own shroud and palimpsest,

forever turning and turning away,

even now as I write these lines, a mask

of interiors silent as river stone, unraveling on sight,

a tale to be believed only by its absence.

TOBACCO

 

I never took up the family habit of smoking,

as my grandfathers did, both of them eaten away

by cancer -- or my grandmother Artie,

who spit that bug-colored juice into a milk jug

just off to the side of the open porch,

as discretely as one could manage, not wanting

the world to know that she chewed the stuff.

But when my mother was a girl of five

or six, she reminds me, she was startled and stung

by a wasp, and her blonde, skinny arm began

to balloon, her breathing soon reduced

to a labored wheeze, the blue sky wheeling

and the dark earth pulling its door

open beneath her, she remembers her uncles

running gangly-limbed out to the field

to snatch a few green and fragrant leaves,

dowsing them with well water and wrapping them,

gently, around her red and swollen skin.

"It must have worked," she smiled softly, her eyes

grown distant and wistful in her remembering,

"Because here I am." Did she mean merely

that we make do with the remedy we have on hand,

or that one poison sometimes erases another?

Some lessons, perhaps, are lost on a son

born and raised in the frozen north.

But I can kiss and wrap a wound, I can run

when my daughter is on the cusp of falling, or edges

too close toward the oncoming traffic.

We are both, to our occasional and mutual

wonder, stronger and faster than we could have

imagined only moments before.

MY FATHER FLYING ABOVE REYKJAVIK

 

It's sometimes hard to imagine my father's face,

even when looking at an old photograph.

In my mind's eye, he is always turning away,

as he is in this moment, maneuvering through the clear

arctic air 10,000 feet above the city of Reykjavik,

as far removed from the fields of Aitkin, Minnesota

as his imagination would have carried him.

I can see the smooth, unlined flesh of his neck

peeking between his military cut and Air Force collar,

can see the blue-green lights of the control panel

blinking like stars, now closer, nor farther.

This would be long before he met my mother,

before he left us, and those families which came before.

This is, you might say, a test run for leaving.

He is an apt pupil, willing to put in the long hours.

Does he spare a thought then for his older brother,

my uncle Leo, drowned, so very handsome at

the foot of Mount Fuji, his uniform weighing him down,

a birthday card written out to his sister floating

on the silent surface like a forgotten map?

Or does he think only of this -- the acceleration

and ascension, the world falling away below,

everything making more sense from this distance?

The sky trails behind him like a new signature.

He may never come down again.

DEMONS

 

In my mother's view of the world,

a world long since passed

into memory and family lore, nearly every

affliction of the body, psyche, or soul

could be ascribed to demons.

There was the demon of alcohol, persistent

and familiar as the setting sun, the demon of lust,

the demon that caused epilepsy, and

my stammering lisp as a child.

Demons were, it seemed, everywhere --

in constant need of being cast out, sometimes

forcefully, in the sanctum of the church,

and in our humble living rooms,

the preacher gone red-faced with intent,

his voice commanding, one tiny river

of sweat trickling down his cheek.

My mother said, more than once, that my father

must have been possessed by demons

which had caused him to gamble and drink,

to womanize, and abandon his children,

running like a fugitive from one end

of the country to the other, and back again.

She didn't mean it metaphorically.

She meant, I think, that no man could

possibly be purely evil without

some assistance, that there must be

an unseen hand holding the map,

guiding, relentlessly turning his back to the world,

and sweeping clean his tracks

until the man himself, however upright he

had begun, could no longer be seen.

SECOND MEETING WITH MY FATHER

 

After burying my half-brother that afternoon, I asked the cab driver to drop me at my father's shop on Rice Street, two blocks up from the housing projects, where as a child I had so often imagined him, alternately captaining a ship through far-off lands, or swilling cheap wine under a bridge with the other derelicts. But here I was, surprising him, weighted and imbalanced with grief and a lifetime of questions which I could not bring myself to articulate, even now. He moved, at his ease, through rows of carpet and color samples, walls stacked with gallon drums of paint, back to his wood-paneled office. I noticed the pigmentation of his hands had receded, leaving patches the color of lard shining through, or the underside of a painting that has begun to chip. "Well..." he began, offhandedly, "you and I just kind of went our separate ways" -- as if this were an explanation, as if the child had somehow agreed and denied the father as well. He leaned back in his desk chair, hands clasped behind his head, elbows pointed in either direction, asked what I did for a living. I told him that I was a poet, which he failed to acknowledge one way or another. "I mean," he tried again, "What do you do to put money in your pocket?" I shrugged, stammered out one dead-end job or another. It was hard to imagine this most plain-spoken of men ever sweeping my mother off of her feet, however briefly. But wounded people have a way of finding each other, and are privy to a language of their own. It was, in part, why I was here, a product of that wound. This, then, was the earthly kingdom he had constructed, and had chosen again and again. It was, I suppose, a life that he could understand, one of facts and figures, the tangible and the easily stated. I left him to it.

COMFORTING THE CHILD

 

Being the only son of parents who

abandoned their children as easily as one

walks to the grocery store -- one

preferring the soft oblivion of Stoli and

sleeping pills, the other the peculiar balance of

status and anonymity that only money

affords, -- I stand, perhaps, too closely to

my own girl, always on guard,

hovering, worrying myself into sleeplessness.

I am nothing if not vigilant, an occasional

nuisance of concern, golden retriever of a father

at the gate, barely blinking, awaiting my cue.

When she races up the steps of her school,

confident in a way which I never was,

my pride mingles with a tinge of unspoken grief.

Still, I want nothing more than to be taken

for granted, to never be known as an absence.

I want for her the autonomy of knowing,

for love to be as constant and as easily forgotten

as the silent pulse of blood at wrist

and ankle, and my hand upon her shoulder

when she hurts, drawing circles

on her back, comforting, not only her

but the child no longer there.

WHAT WE CARRIED WITH US

 

It couldn't have been much, whatever

could be tossed into two plastic garbage bags

and carried, from the station wagon

to the front porch of our foster home,

a word which we had neither heard nor spoken,

but one that would become as common

as a surname, shorthand for others to describe us.

We carried our toothbrushes and combs,

clothes and underwear, carried whatever toys

or stuffed animal could be retrieved,

while the cacophony of sirens sped our comatose

mother to the cold comfort of hospital rooms,

plastic roses, a potpourri of pills to replace

the ones which had not managed to kill her.

We took a blanket or two, worn and pilling,

superhero pajamas, damp familiarity

of our own sweat-smell.

But mostly, we took all that we could not

speak of -- the unshifting weight which

an absent father leaves, ladder rungs of anxiety

we could neither climb nor give name to,

the mutual shame of bed wetting

and the sudden difficulty of common speech.

We carried each other, brother, hardly

aware that we were doing so, always balancing,

always stronger than we looked or imagined.

We carried that grief until it settled in,

quiet and unobtrusive, a gentle tune humming

through the bones. I'm singing it now, though you

have been gone now these many years,

pausing just long enough for you to whistle

through the grass blades, bend that grosbeak's note

just so, rustle the cotton shirts and work pants

upon the line in a pantomime of breath,

the familiar motion of walking away.

FINNISH FUNERAL, AITKIN, MINNESOTA (1939)

 

It's impossible to know who is behind

the camera's noisy shutter, capturing these

mourners gathered beneath a haze

of summer sun, in somber black and gray,

gazing, without exception, at the dry ground.

Not so unusual, perhaps, for a people

known for their stoicism, for not making such

a fuss about this life, whose language has

many words to describe the existential weight

of snow and ice, but lacks any future tense.

The pallbearers stand on the back of the flatbed,

the hand-carved coffin between them,

men long accustomed to labor, not quite

prepared for this task, their faces shadowed

by grief, hands held close to their bodies,

as if already clutching at bits of earth.

My father is the baby here, knowing only

his own hunger, memorizing each face,

the sound of their voices, each particular touch,

while my mother, many miles away, has not

yet opened her blue eyes to this world.

My great-grandmother is about to move,

slowly, just outside of the picture frame,

becoming, seemingly overnight, part of what

we call history, that lengthening shadow

we each carry, yet never quite manage to catch,

that which shows no sign of stopping

for us, or even of slowing down.

WHAT MY FATHER FOUND

 

My father says that he remembers nothing

after finding my grandmother, thrown as if by

force upon the kitchen floor, her blue eyes gone

blank as river stone, blood not red but black,

reaching as one hand did into the stillness of air,

the other held inward, as if cradling a book

which no one could have seen or deciphered.

He remembers the amber bottle of arsenic glinting

in sunlight, the maddening shouts of the crows,

the strange weight of his own breath hovering;

remembers walking slowly back to the car,

easing it up the gravel road to the Halverson's

to start up a game of afternoon baseball.

I cannot pretend to know his thinking in these

moments, or whether all thought simply fled.

Yet in my mind's eye I see him, unwashed jeans

dragging at the heel, the bill of his cap pulled low,

walking much the same as I did at that age,

hands in pockets, gazing vaguely at the ground.

I can see him kicking at the dirt, signaling,

his worn H&B bat suddenly connecting, startling

the barn swallows out of their secret chambers,

the thin, red stitching of the ball turning

and turning, fast upon itself, shooting past

the billowing tops of summer trees; and below,

the lengthening silhouette of that farm boy

running, running toward a fierce blinding light

where, for one imperceptible moment,

he somehow manages to all but disappear.

MEETING MY FATHER

 

I was ten years old when I first met

the man, shaking hands in a shopping mall

parking lot, as my mother looked on,

unimpressed and uncertain as to whether

this was a wise idea for any of us.

He was tall, dressed in a courtroom suit

and tie, saying, "Good afternoon" with

the practiced ease of a natural salesman;

told my mother that I was a good looking kid,

as if I weren't standing there beside him,

as if he couldn't speak to me directly.

This man I had secretly dreamed of,

who had, by default, become the hero

and villain of every boyhood tale,

this man who by his absence alone

had all but defined me, seemed to me

in that moment to be unforgivably ordinary.

We had a polite lunch, the three of us,

conversation sporadic and strained.

There was much to avoid, though we were,

all of us, long adept at doing just that.

There were no tears and no explanations.

I sat to his right, at his suggestion,

two left-handed eaters avoiding elbows.

And he was right: We did not touch.

Not that day, or any day yet to come.

PASSING THROUGH

 

Have the dead grown tired of our endless retelling?

It's enough to pass through the gates of suffering once.

The absences pile up, fill the smallest windows with shadow;

so many ghosts demanding their place at once.

When I loved you, I spoke in fragments and innuendo.

It's too dangerous to speak of love all at once.

Some people have barely spoken their names, and leave.

My father was a curse my mother uttered only once.

Our youth exists only in the backward glance of song,

the words and melody of which came together only once.

I had no idea it would take a lifetime for one simple thought;

and yet, had I to do all over again, I would do so at once.

Some say that we die within each passing moment,

though we have lived a thousand lives being here once.

When the worst at last happens, we learn to breathe anew.

Like all else, the unimaginable happens only once.