THE UMBRELLA MAN

 

The umbrella repair man in West London

will fix yours for a modest fee,

set its broken spokes upright again,

turning expertly those pin-screws

too small for ordinary hands.

He knows all about your bad luck days,

the series of calamities that brought you here --

the time the cat ran away,

or when your car wouldn't start

and you were already late for the funeral,

the morning you were nearly blown

into oncoming traffic, your hat

carried somewhere down the road,

your flimsy umbrella turned inside out

against the maddening wind.

He's here to lift your humble sail,

to repair what otherwise would have been

tossed aside, to right and steady your course,

if only in this small, ordinary way,

to send you back into the next downpour,

calm and confident, gray rain falling

hard all around you in a nearly perfect circle,

while you remain unbothered,

as though you were some kind of royalty,

as if you were hardly there at all.

SMOKING IN THE MOVIES

 

The legendary smokers up on the big screens

have all but vanished from our lives,

which I suppose is just as well, there being

precious little glamor in its end result.

But there was a time, not so long ago, that

we believed in that nameless hero, strong and silent,

smoking while gazing out upon the plains, far

from everywhere, and the villain, killing simply for

whimsy and fame, always one step ahead.

We believed in the femme fatale blowing smoke

rings that floated off like ill-shapen hearts,

and the hapless men falling over themselves

to offer a light to the blonde bombshell.

We followed the descent of the good girl

gone bad, the private thoughts of the lonely P.I.,

lighting up as he walked on, fading from view.

We winced at the callous boss and his wet stogie,

sighed in the obligatory afterglow of a motel room;

we fell in love with the passing stranger,

even when we knew better, the ingenue gazing

across a smoke-filled room, smoke like a veil

between illusion and the all-too-real.

But we no longer believe. We are, it seems,

wizened, streamlined, our words, like the thoughts

that lent them, reaching upward in wafer-thin

knots, weighing no more than air.

AT THE NATURALIZATION CEREMONY

 

The families begin arriving early, the men in freshly

pressed suits, pocket squares, the women in bold patterned

dresses and colors that defy the gray drizzling skies,

their faces without exception beaming with light,

young children at their sides looking up,

knowing this day to be something extraordinary.

"There are people who live here who hate this country,"

the young woman from Colombia explains

to a local newscaster, shaking her head, "but to us,

this is still The Promised Land. It's everything."

I can't help but think of my own ancestors, who, too,

arrived with nothing, learned to speak this strange, unruly

language, drive cars, fight this nation's many wars.

It's hard to imagine my steely-eyed great-grandfather,

never caught smiling in a photo, wearing a face of

such unabashed joy. But what do I know of another's heart?

I know only this moment, this day, this swell of pride

as these new citizens make their way up Kellogg Boulevard,

their small flags waving in the chilly damp air.

It is as though a hundred or more makeshift boats were

setting out, each on a separate but similar course.

Even when they have all but vanished from view,

their voices can still be heard singing, laughing,

proclaiming -- so many different dialects, different

songs, so many different ways to say Home.

FIRST GRADE

 

The autumn moved in seemingly overnight,

its gray and watery chill seeping through

the windows while we slept. Suddenly,

the glittering Ferris wheel of the State Fair

has stopped for yet another year,

the green of lawns and hills grows less certain,

the leaves already folding in on themselves

like small hands clutching at the air;

and we stand, my daughter, her mother,

and me, in the hallway of this new school,

the light strangely familiar, as though bottled

from decades past and just opened again.

Our daughter is smiling but nervous,

her suntanned arms at her sides as she turns

with uncertainty, chin held tightly against her chest,

as if trying to find a doorway into herself.

But she turns instead toward this classroom,

her backpack comically large, her bag of supplies

so heavy that she pulls it at her side;

and we, her parents, turn with the ringing

of the bell, so startling in its insistence,

to leave, as ever, in our separate directions.

But of course we, too, are being pulled

forward, together, into all that we could not

have planned, the beauty, the boredom,

and wonder of this great unknown.

FEATHERS OF A DOVE

 

How many trips did we make back then

to the hardware store, as summer

leaned lazily into autumn; how many

dusky shades of blue and gray

holding their secret oceans of light

were mixed on our behalf, a seemingly

endless variety of color swatches

laid out like narrow, unframed windows,

opening onto a bright coastal morning

which no artist could ever have gotten right?

How elegant and whimsical their names,

dreamed up, I imagine, in some drab

and lifeless boardroom, and labeled here

in practiced script: English Chamomile,

Whispering Mist, Feathers of a Dove.

We read them aloud just to hear their music,

the unassuming romance they promised,

the time we longed for most of all.

How many thoughtless brushstrokes

covered the wall at the end of that narrow

hallway, as if the smallest of decisions

could make all the difference for us?

How many weeks before the baby arrived

to parents who could not agree

even on this, our days together already

beginning to flutter from our grasp, restless

and unfinished, all but flying away?

FINNISH FUNERAL, AITKIN, MINNESOTA (1939)

 

It's impossible to know who is behind

the camera's noisy shutter, capturing these

mourners gathered beneath a haze

of summer sun, in somber black and gray,

gazing, without exception, at the dry ground.

Not so unusual, perhaps, for a people

known for their stoicism, for not making such

a fuss about this life, whose language has

many words to describe the existential weight

of snow and ice, but lacks any future tense.

The pallbearers stand on the back of the flatbed,

the hand-carved coffin between them,

men long accustomed to labor, not quite

prepared for this task, their faces shadowed

by grief, hands held close to their bodies,

as if already clutching at bits of earth.

My father is the baby here, knowing only

his own hunger, memorizing each face,

the sound of their voices, each particular touch,

while my mother, many miles away, has not

yet opened her blue eyes to this world.

My great-grandmother is about to move,

slowly, just outside of the picture frame,

becoming, seemingly overnight, part of what

we call history, that lengthening shadow

we each carry, yet never quite manage to catch,

that which shows no sign of stopping

for us, or even of slowing down.

SUNDAY AFTERNOON AT THE NEIGHBORHOOD CAFE

 

The elderly couple sitting near the window, here amongst the midday cacophony of voices climbing over voices, coffee cups clanging like broken bells, enjoys their meal in measured silence. You might not notice them at first, this small island of calm, cloud-gray and unassuming, their subtle movements reflected in the glass behind them. They nod, shrug their shoulders in bemused acknowledgement, passing small packets back and forth, as if they were coded messages. Do not mistake this for nothing. Do not presume they have said all there is to say in this lifetime. They have, it seems, moved beyond the boundaries of words, beyond the Yes and the No, with little need now to ask for what lies plainly here between them.

MUSIC BOX

 

My daughter turns the match-thin handle

of the music box, its tiny metal teeth

plucking out "Love Me Tender"

with the bright clarity of a child's lullaby,

slowing and increasing the tempo

of this tune she has learned this way,

its simple notes rising and falling

from her steady outstretched palm.

When I was her age, my older brother

and I rode in the back of a sweltering hot

station wagon while a calm and serious voice

broke through the radio announcing

that Elvis Presley, a man who seemed

to me to be from another planet, had died

suddenly, at his home in Memphis.

Death was a gray and mysterious thing;

but I knew that it meant an absence,

a silence which no one came back from.

Yet music lives upon air, much longer

than breath alone, writing and rewriting

itself at will -- and here it is again

on this most ordinary day in autumn,

dry leaves tapping at the window glass;

a day made all the more lovely by its brevity,

and because we are here to speak of it.

Which is to say that there is no need

for the saying, no need at all. This song,

however small, will do just fine.

SCATTERED

 

So many different rains tonight,

their slender gray thoughts

scattered everywhere at once.

Perhaps the wind can somehow

bring these factions together;

perhaps by morning a consensus

may at last be reached.

HAUNTED HOUSE

 

Throughout the sweltering day at the fair,

strolling the miles of sticky, littered sidewalks,

air thick with the smell of August sweat,

beer, and sugar spun a hundred different ways,

my young daughter pleads repeatedly

to enter the dark gates of the haunted house.

She is drawn by the canned siren screams

piped through speakers perched on either side

of the cemetery's artificial grass, entranced

by the cool, gray tombstones hovering

above a shifting sea of mist, the thin limbs

of skeletons reaching up from below.

She wants nothing more than to be scared

out of her flesh, laughing all the while.

Each time we pass I must remind her that

the spooky castle, as she calls it, is meant only

for bigger kids, and each time I am met

with an exaggerated sigh of disappointment.

I do not speak of my own quiet fears,

the worst ones that eventually came true

or were erased by others more immediate,

ones that settled in like unwelcome squatters,

nudging one another to make room;

nor do I mention every terror that I hold

on her behalf, ones I cannot yet see, but sense

feeding on shadow, gathering strength.

One day she will turn away from my warnings.

One day I will have to let go just enough,

let the devils dance in their costumes

of flesh, and every mad beast around her roar;

one day I must trust the light within her

to repel every ghost yet to come.