FROM ROOM 104A

 

Overnight, with little warning but a small stitch

turning in your side, and a bit of blood where blood

should not be, you have entered the land of the unwell.

This is the kingdom of white surfaces and sanitizer,

of hushed voices and bedpans clinking, IV stands that

resemble coat racks, and curtains behind curtains,

of paper shot glasses and silent shuffling feet.

You are wheeled from one cool room to another,

quietly and efficiently, the ghost-flicker of ceiling lights

passing like the lines of a highway leading nowhere.

You count backwards. You repeat your name until it sounds

like something foreign, far removed from its source.

You listen, while the faceless man on the other side of

the recovery room coughs and moans all night,

talking, in fitful sleep, to the mother who is not there.

You wonder if your daughter will visit, wonder what day

of the week it might be, and whether you will be

able to write a poem without a window, something

you hadn't realized was essential all this time.

That's where the world is, after all, the one you wish to

return to, in spite of it all; and if it's not exactly new,

or all you had hoped for, it will never be the same

as it was when you left it only days before.

SITTING WITH THE SICK CAT

 

We are up early, neither of us having rested

much during the night -- up and down

like sleepwalkers -- the neighbors yet to stir,

the first sunrise of autumn yet to break through

the chill-dark distance of the window.

The weather channel on the television plays

softly some French music from another century,

while I glance occasionally at the shifting patterns

of colors and light on the screen, the familiar

outlines of our state, country, then world,

then only the endless turn of borderless sky.

My daughter sleeps, safe and sound,

in the next room, growing taller and stronger

by the hour. But this small creature, having become

the center of her young life, struggles

to find the simplest comfort, circling my lap,

purring, wheezing, nodding off, letting

out a throaty exclamation that is part pain,

part surprise at the very insistence of it.

For the moment, this is our entire universe,

the hum and hush of it, the secrets

and complexities of its motion, the hot

pinpricks of starlight that pierce through flesh,

our common desire to understand.

There is not much I can do beyond this,

a feeling that as a father I am long familiar with,

but stubbornly refuse to get used to.

Our weariness is our common song this morning,

our breathing a shared language welcoming --

or at least acknowledging -- whatever

this uncertain day may bring.

THE LAST SUPPER

 

When Aunt Anita got word from the clinic

that the cancer was fanning outward

like a web of newly shattered glass,

and that it was, in fact, inoperable, she promptly

planned a get together for family and friends,

an informal wake that she would attend,

and which she dubbed -- not without a touch

of gallows humor -- her last supper.

She arrived in a ball gown, sequined and sparkling,

her long dark hair newly styled, flitting

from table to table, bar stool to bar stool,

glasses raised and clinking, remembering both

the good times and the hard times with

those she knew -- and she knew nearly everyone.

She was their confidante, keeper of their

stories, their sorrows, and secrets.

The next morning she slipped quietly into

a coma, one long dream receding into

another, never again to wake.

Born into nothing, into a town so insignificant

that no one had bothered to name it,

she left this world, nonetheless, dressed to the nines,

a benevolent ruler with a Louisville slugger

tucked behind the bar, just in case.

She left, quite simply, glowing.

BREAKDOWN

 

When my mother returned from the hospital -- the place where I was born a few short years before -- came back after several rounds of what were then known as shock treatments, she didn't come back all the way. Her cool blue eyes seemed to be somewhere else, her words slower and distant, as if trailing behind her from the next room. When she would occasionally forget the names of my brother and me, or get us mixed up, I didn't understand. I wondered who this woman was, and whether the right mother had been sent home to us. She spent much of her time in bed, unread magazines and bottles of pills balanced beside her, monotonous flicker of the black-and-white TV her only window to the outside. But I liked when she played her guitar for us, when whatever had been taken from her seemed to return, at least in part, her voice becoming almost a smile. She would sing those old country hymns and children's songs, murder ballads which I later found she had changed the words to, for our sake. Even within the beauty of such music, she seemed to be saying, the world was a frightening place, violent without warning, and whatever path you chose was yours to walk, and walk alone.

ILLNESS DURING CHILDHOOD

 

When my daughter becomes sick with fever,

unable to keep even water down, I am taken back

suddenly to those terrible illnesses of childhood,

gathering like storms on the horizons of

our brows, all of us, heat blazing through temples

east and west. I remember the holy eucharist

of saltines and warm 7-Up, the pinpricks of pleurisy

through lungs gone weary with coughing,

throat scraped raw, red one day, spotted white

the next, giving up the ghost of speech;

remember, too, the little brown bottles of Robitussin,

the mountains of knotted tissue hardening,

the smell of sickness seeping into everything.

I am reminded of how we learned to walk

through sleep, as we had in waking life, pushing

hard in our delirium against heavy furniture

as though ships stubbornly clinging to shore,

while visions of saints and ancestors floated patiently

past our doors and windows, visitors which no one

would have believed had we mentioned them.

I remember how we became somehow weightless

and immovable at once, sleeping so hard

that no dream could have roused us, our limbs

growing limp and longer through the night,

reaching out for that mythical land of sunlight

and well being, until one morning we did

awake, bright eyed once more upon a shore

of cool linoleum, our bodies new and uncertain,

flat feet plodding from one room to the next,

so thirsty that we could have drank the rain clouds dry.

ECHOCARDIOGRAM

 

There was a time, not so long ago,

when a young woman's hand sweeping

gently, purposefully across your bare chest

would spark a rush of movement

within the blood, stir the recognition

of one flesh meeting another, somehow

both new and ancient at once.

But today you have crossed a threshold

of sorts, where this young woman,

who balances perfectly kindness and business,

measures every bruised and weary chamber

of your heart. "Breathe in," she intones,

"Now stop. Hold that breath...Good."

From the corner of your eye, you can see

the black and white of the ultrasound,

like a closeup of the moon, or years ago

seeing your daughter for the first time,

hiccupping within her mother's frame.

You think, too, of the Buddha, said to pass

into prajnanibbana this way, reclined

on his left side, eyes half-closed, neither

looking nor looking away. But this,

this, you think, is merely a form of limbo,

the moment midway through the play

when the stage lights dim to a dusty blue

and the whole of the set is quickly rearranged.

You sit upright, button your shirt, surprised

by the sudden return of clinical light.

You thank her for her trouble, take the old soldier

in your chest -- by turns too fast, too slow,

too big for its own good -- meandering

down the hall, and out into the wintery day,

blustery and colorless, quietly resigned

to whatever might happen next.