WHERENESS

 

I had never considered it that way --

the simple state of being in a particular time

and place -- until you let the word fall,

suspended between us, both strange and familiar.

Where else could one be?, I wondered.

You loved words that way, trying out the new,

settling on favorite phrases, turning them,

chewing on their shapes and sounds, following

their threads wherever they might lead.

Now, all those years having gone wherever

the years go, I can only be grateful that

my whereness and yours found each other,

however briefly, breathed the same air,

shared the same silences, laughed at the same

absurdities you couldn't help but challenge.

You demanded much but expected little,

your lack of faith in others a religion unto itself,

yet never questioning where we belonged,

and never doubting that we would live forever.

FAST

 

You were always so fast, brother, even when we

were just kids back in the housing projects;

couldn't sit still, your limbs constantly fidgeting,

growing long and quick seemingly overnight,

your lankiness slowly turning into grace.

You were always in pursuit of something else,

something new, risky, while I, the annoying kid brother,

could never keep up, tagging along though I did,

daydreaming, awkward within my own skin.

You drank your first beer, kissed your first girl,

unclasped your first bra as though there was no time

to lose, as though they were the only things

that mattered in a life you could already see drawing

to a close, as though you were on a timeline

the rest of us could neither see nor understand.

When you said, as casually as though commenting

on the weather, that you'd never make it to forty,

I put it down to the whiskey, the dark romance of youth.

Only now, gone so many years, do you linger,

speaking openly as you rarely did before, no need

to rush, or to leave out any detail in the telling.

There is no road. We walk now side by side.

THE LOST CITY

 

We pondered the popular myths of our childhood,

large and small, the blurred and grainy image

of Bigfoot walking through the woods,

so alone that we felt more sympathy than fear;

considered whether to spend our weekly allowance

on those X-ray glasses or sea monkeys

advertised in the backs of our comic books,

those other worlds of myth and muscle,

where humanity, which had been so foolish,

was always saved at the last possible moment.

We wondered, too, where all those planes

and ships had vanished, their signals lost forever,

while attempting to cross the Bermuda Triangle.

Wondered how many miles into the ocean

the lost city of Atlantis -- which we knew to be

true -- could be, and if one of us ever traveled there

in this lifetime without the other, how we might

send word back to the bright world above.

It's the way I speak to you now, brother,

through the weight and distance of all these years,

your reply moving slowly through the waves

while I wonder at the beauty of that city,

sparks of ancient light flashing against its glass,

a story, like you, I am not willing to let go.

ONE YEAR AFTER YOUR DEATH

 

The winter sky reflects the river today,

as it always does this time of year,

each gray-blue sheet of ice

indistinguishable from the other.

The narrow shadows lengthen, drawing

fenceposts around the empty spaces.

Everything becomes clinical fact,

every step taken a punctuation mark,

though what has been said and what has

been left out remain unclear,

hovering like my breath before me.

How is it that I cannot see you now, yet

feel you closer than this wind,

this hardened earth, the bare limbs

of trees reaching like roots in reverse?

All I know today is that we are not made

merely of things that happened --

for better or worse -- nor the way

we smiled, or didn't, in an old photograph;

we are closer, I say, to the light itself

coming through the dusty window blinds,

holding us there, frozen as this day,

making us believe we are the subject,

that we are the ones standing still.

REQUIEM IN WINTER

 

The last hands to touch you were not mine, nor those of any friend or lover, but the powder-blue latex gloves of paramedics, helplessly shaking you, tapping at your thin neck and wrist, while a deputy sheriff -- whose shoulder had broken in the door -- stood by, as if your small body sleeping in your own bed were a crime. Part of me must have stayed in that bed we once shared, but no part that could have saved you. Have we let you down, allowing you to leave this way? How could any of us have known all the different definitions of alone? The last hands to touch you lifted you cleanly from this life, wheeled you out and up the narrow stairs we climbed a thousand times. My mind cannot fathom more -- not the coroner's cooling board and creaking drawer, not the scalpel used to search for what was already gone. So I leave you here, where it is always the same cold morning in January, the door frame hanging like a broken cross in the entryway, and you tucked beneath a fresh white blanket like a child, almost smiling. A flock of wild turkeys has wandered up the bluff; the sky is so bright it blinds.

LOST AND FOUND

 

It's not as easy to disappear as it once was,

back in those long ago days before endless threads

of information and the 24-hour news cycle,

before constant surveillance became acceptable,

and anyone, past or present, could be found

with a few clicks on a phone or laptop.

People went missing, and very often stayed that way,

sometimes by choice and elaborate plans,

sometimes turning up with amnesia

in a city on the other side of the world.

Those stories became books and movies, discussed

with amazement at work and the dinner table.

Deaths were staged, and former lives disowned;

a father went out for a pack of cigarettes

and was never heard from by his family again.

My own father ran a successful business

mere blocks from our home, though I never once

saw his face or heard his voice until years later.

You, too, old friend, somehow disappeared

in plain sight, your retreat at first subtle,

then complete, as if planned years in advance.

There was nothing anyone could do.

You became a story with neither an ending

nor linear narrative; though I am speaking of you

now -- that's nothing new -- speaking of you

in the only way I know, reminding myself

that once you were here, right where I am now,

and that once, not so long ago, you could

have said all of this better yourself, could have come

back, if only to tell us what really happened.

ROAD

 

There's no marker along that stretch of Highway 8, no stone or plaque bearing your name, the dates you were here, then gone; no makeshift memorial of Mylar balloons and requisite roses wrapped in cellophane. There is only road, indecipherable from any other, its meandering cracks patched with fresh tar, lines offering no discernable word or message. The heel of your boot has been swept away, your handprints -- like wings stopped in mid flight -- have been washed from the dusty hood, the dark blood you spilled allowed to seep slowly into the asphalt, following its own course, like the thinnest of roots, hidden from view. You, of course, have long since passed from this world of ordinary fact -- of arguments and disappointment, of endless coming and going. So, maybe this absence is just as well, along this anonymous road slicing through pine and scrub grass, through small towns without stop lights. No one wants to stop here, or even slow down. They all have somewhere else to be, someone waiting, patiently or otherwise, someone wondering where they are.

TO THE YOUNG WOMAN WEEPING WHILE DONATING PLASMA

 

I cannot know your story -- the river of time

and circumstance that brought you here

today -- only this slender moment of quiet

unraveling, weighted tears pooling and tumbling

from the corners of your almond eyes,

gray-blue and receding from view, your face --

so young -- bruised already from within.

Grief has come to claim you, this much is clear,

blurring your edges, as though submerged,

even in this clinical afternoon light;

grief gazes back, unblinking as the day itself

through the clouded lens of your phone.

The little I know, or at least pretend to believe,

I cannot speak, not wanting to be the unwelcome

stranger who pierces your necessary solitude.

I would not trouble you with all the heartaches

yet to come, as they most certainly will;

I would speak only of the moments between,

moments of ease and exhalation where

you could alter course, arranging possibilities

like so many books upon the shelf. I would

remind you simply to raise high the window blinds,

to leave the door ajar, so that when joy

returns, it will know just where to find you.

GUPPIES

 

Nothing grew in that drab one-bedroom

apartment, gray-blue light cast from the swerving

freeway below, the old service road following

beside it like a shadow, then turning

with a half-hearted shrug, a sad aquarium

of ordinary days circling, reflecting,

measuring themselves against us.

You moved the plants from one window

to another, hung them in the kitchen,

then the bathroom, fed them on eggshells

and coffee grounds -- all to no avail,

their brown and brittle ghosts too weary

to drift away, littering the floor and windowsills.

When we came back from that day trip

to the lake, the guppies you had just bought

were floating on the surface of the water,

their small incandescent bodies motionless,

tailfins like flames sputtered out, yet still glowing;

we knew, separately, without having to say,

that something larger had ended.

You left, at a ridiculous hour of the night,

a time normally reserved for old blues songs,

and weeks later, I did too, filling every bag

and suitcase with all the emptiness I could claim.

Even now, I wonder why we chose that place,

whether in hope or desperation; even now,

I wonder in what other rooms,

what other lives, we might have survived.

PERSONAL EFFECTS

 

The family says that Uncle Leo was too sensitive

for the army, prone as he was to daydreams

and poetic whimsy, his soft, pale hands designed

for painting a canvas or cradling a violin,

not the long rifle and bayonet slung over his shoulder.

In the sepia-tinted photos, he looks like a 1950s

matinee idol on location, killing time between takes.

But he could shoot, like any Finnish farm boy,

could drop a buck or a boy in the wrong uniform

if need be. He just didn't understand the need.

Maybe he never recovered from the scythe

striking his head as a boy, hiding among the tall hay.

Maybe something inside him just kept falling.

When he drown at the foot of Mount Fuji,

the dark envelope of water sealing him indefinitely,

Grandma Tyyne went mad with her grief,

following him there a few short months later.

What was sent back wasn't much -- his boots shined,

uniformed pressed and folded, a few small

souvenirs, family photos, Japanese coins and yen.

I like to think that the birthday card he bought

for aunt Leona made it safely back , warped

only slightly by water, its smudged blue letters

looping back on themselves like waves.

I like to think she smiled at his sweetness

before her eyes clouded and all but disappeared.

YOU CAME TO ME AGAIN

You came to me again in my sleep, as if nothing had changed between us. You wanted to talk about old movies, talk about money and how it made no sense. I had longed for the sweetness of the mundane, the steady rhythm of the dripping faucet wearing away the porcelain of the bathroom sink, dust building its imaginary creatures below our feet. Most of all, I didn't want to tell you that you were gone, slipped silently from this world while you were unaware. But I wanted you to mourn the loss of yourself, as I have, this life of chores and small, fleeting pleasure, the stubborn yet fragile body which gave you so much trouble. Of course, you were better at explaining things, as you often did for me. The words I offer are half-formed and ordinary, hovering between us, neither moving nor standing still. Last week, your sister called to remind me that everyone in our dreams is but a different version of ourselves. If this is so, I am again talking to myself, while you are wondering whether to accept my explanation, whether to answer with words, or the silence we have agreed upon for so long. 

 

CANNED LAUGHTER

 

Most of the laughter we heard when

growing up did not come from the grownups

around us -- who seemed perpetually

glum, reserved in speech and movement --

but from the canned laughter rising

and falling from the small, dusty speakers

of bulky television sets -- sharp, tinny laughter

you could hear from the next room,

even if you had somehow missed the joke.

Even Saturday morning cartoons,

that most sacred of childhood rituals,

had a laugh track with which to instruct us,

not unlike the voices at church, hesitant

at first, then growing robust as their numbers

swelled and converged, demonstrating

to us when to sing out, if not precisely how.

Say what you will, but there's something

strangely reassuring in knowing

that all of that laughter from ages past --

the low, persistent titter, the chortle

and guffaw, the outright snort -- is there,

waiting patiently to be opened again,

in times of war and uncertainty,

when grief has once again shrouded us

in its oily rags, following us like an unremittent

beggar -- times not so unlike our own.

THE LAST TIME

 

The last time I saw you, after so long apart,

I was, I confess, startled by how small you seemed,

as if you had somehow perfected a means of

walking away while standing perfectly still, or were

trying to slip out of this world unnoticed.

Your shoulder blades shown through your frayed

gray sweater, your blue eyes drifting further and further

into themselves. Perhaps our former lives always

seem smaller when we wander back in, or perhaps

we are merely the worry dolls of anxious gods,

worn smooth as river stone with time.

You were having trouble eating, you confided,

and trouble sleeping, too -- though

this malady was certainly not new to you,

your mind forever leaping from one thought to

another at the most inconvenient of hours.

Would I have wanted to know in that moment

that this meeting, seemingly insignificant,

was also a kind of parting, that you would soon

disappear into the shadow world of self, no longer

calling or answering the phone, no longer

reading, or bothering to venture outdoors?

Would I have spoken something disguised

as wisdom, or offered you some small comfort,

a prayer which you would almost certainly have refused?

Would I have thought to ask for forgiveness,

or simply to thank you for the years we walked together?

I do not know. But we parted with smiles that day,

not the slightest taste of bitterness lingering

between us. We were kind, as we had been

at the beginning, as we were meant to be, two

old friends softened into unexpected middle age,

adept, at last, with the familiarity of our leaving.

RETURNING

 

For the first time since your leaving in the cold-dark of winter, I turned the car onto our former street, houses and cars grown sleepy in the warm afternoon air. Even the songbirds had grown quiet. I walked slowly down the narrow sidewalk where once we walked so many years ago, the breeze upon my face and neck like the breath from another world, an old friend sending back word. The once-manicured lawns had reverted to an urban wildness, the neighborhood suddenly trying to save the few bees that remained, offering them whatever small sanctuary of earth they could. So the daylilies had grown tall and strong, the long grass waved at its ease, and the ghost-heads of dandelions sang their silent choruses, letting their wishes blow wherever they may. In the dim window of the old place, smaller somehow, the face of a tabby cat -- round as an apple -- looked out, as if you had placed it there. I smiled slightly, knowing you would have approved, nodding to myself, moving back into the day.

TELLING STORIES

 

When I remember now those bars and restaurants

along the avenue -- most of them long gone

and forgotten, along with those hopelessly younger

versions of ourselves -- I remember, too,

how you loved telling stories about everyone

within your line of sight, inventing detailed narratives

that were alternately comical, or tragic, sometimes

outlandish, sometimes quite believable.

You knew -- for your own belief in the story

was always essential -- who was on their first date,

and who was on their last, who was celebrating

their daughter's graduation, and who was in mourning;

you knew the man at the bar was out on parole

by the way he clutched his fork, eyes darting like silverfish,

knew which bartender was skimming money,

and which wrote poetry on the backs of napkins.

Now that you have returned so abruptly to silence

and to myth, I can't help but wonder

what you might have said about us, sitting there,

observing, as though we held some secret wisdom.

Would you have invented a better ending

for us, separately or together, one with a bit of nuance,

some humor, or at least a hint of romance?

Might there be an opportunity for redemption?

Sometimes I imagine our stories go on without us,

while we go about our routines, planning

and plotting, setting one book down to reach

for another, endlessly distracted, the lives

we once thought absolute becoming less and less

believable, in need of reconsideration.

SPARRING

 

My young hands are slow, hopelessly so, hardly

equipped for the instinctual jab and reach

required for this dance; my flat feet, likewise, reluctant

to lift themselves from the cool kitchen linoleum.

This is as close as we will get to an embrace,

my brother and I, the palms of his hands held out

toward me, waving, circling, shifting the air between us,

hands which look like larger versions of my own.

Still in high school, he proudly wears his silver satin

jacket from the White Bear Lake Boxing Club,

the rust-colored spatters of blood, who knows whose,

along its front and arms a badge of honor.

"Protect your head," he reminds me, repeating it,

having twice had his own nose broken of late.

This is the true gospel he is preaching,

fire and brimstone in each of his teenage fists,

where all of his sorrow, anger, and betrayal entwine,

speaking with blunt certainty all that he cannot;

and though I flinch, I know that he would not hit me

in the face, not intentionally, but merely brushes

against my cheek slightly, delicately, my periphery

catching only the blur of sudden motion, of autumn light

shifting through the broken branches of trees,

the movement of human or animal already gone,

just to show that he can, just to remind me

how quickly things can come at you in this life,

and how quickly they can all just disappear.

TWO DREAMS

 

The first night you came to me in sleep, we were

back at the old apartment, everything exactly

as it had been nearly two decades before,

mildew seeping through its basement walls,

silverware rattling atop the refrigerator,

cats circling our feet, slipping in and out of view.

You walked into the room, already knowing

what I was thinking, explaining that you had only

brought some things to the consignment shop,

and not to worry now that you were home.

"There's something I want to show you," you said,

making your way to the kitchen, white shopping bag

at your side making a sharp, crackling sound.

The second night, your face appeared perplexed,

your smile sheepish and uncertain, as if you

had just begun to realize the absence of your body,

the dusty amber sunlight softening the edges

of your elbows and shoulder blades.

You were frail, as you were the last time I saw you,

seemingly growing smaller before my eyes.

You said you didn't know what had happened,

that you only remembered falling asleep

in the same familiar bed we once had shared,

only to wake in this shadowland, land of in-betweens

which you never claimed to believe in.

This time when you turned, I meant to speak,

but instead awoke against my will.

Now, the days are rainy, the weeks stretching

into months, and the months into a greater silence.

You have not returned, though I am still here

in the next room, among the dust and the bookshelves,

waiting to see whatever it is you have found.

STRANGERS

 

Maybe we never know each other in the end,

never see past the bright reflecting surface of things,

the innumerable masks we slip into as easily as

our own flesh when waking into morning.

More than once you told me that I was

inscrutable, even after all those years of breathing

the same air, sharing the same silence

and secrets, dreaming between the same four walls.

But I misread you too, love, thought you were

stronger than you were, never knowing

how precarious your balance was on that ledge

between the most ordinary of days

and your own private oblivion. Forgive me

for thinking your stubbornness was only a virtue,

that the well you drew from would be enough

to keep you alive, no matter what lies your

tireless and wayward mind may have fed you.

I imagined you old, the grand dame of the avenue,

wheeling your rickety shopping cart back home

from the co-op, raising your skinny arms

in indignation at the cars and buses who refused

to stop and acknowledge your status.

Maybe we are merely strangers at the end

of it all, no better or worse than when we began;

though I wish you were here to tell me

how wrong I am, how foolish, that we knew each other

as well as two people could, and that if we met

again, every year between and behind us forgotten,

we would want to know each other

as we had before, shy with our first glances,

circling, searching for just the right word,

the right moment, the right door to open, to enter

this life all over again.