SUBTITLES

 

I don't know when it happened, but I have grown

too old or too lazy to read the subtitles of foreign movies,

snippets of dialogue scrolling across the bottom of

the television screen like a stock market ticker,

another language I can never hope to understand.

We used to watch them nearly every weekend,

caught the classics and the obscure at film festivals,

along with the old Hollywood variety, all those beautiful

made-up faces speaking as though they came from

nowhere in particular, a place we longed to be.

You always said that people should come with subtitles,

and -- most of us, at least -- with warning labels.

I sometimes wish for a translation of all the things

you did not say, every ellipses when you looked away,

though you are now beyond the world of words.

I do miss sharing a language, speaking in shorthand.

Last week, I let an old black-and-white movie run,

the sound turned down to a muffled whisper,

while I dozed off. I could comprehend the passion

well enough, occasional bursts of anger, the wariness

that men and women always bring to each other.

I could understand it this way, the sudden slamming

of a door, sad eyes gazing from a cloudy cafe window,

the rushing toward a train, its smoke a signature.

I could imagine then how it all worked out.

CEMETERY GRASS

 

I remember, too, you brushing your hair

in the morning, never gently, but with a quiet

vengeance, as one would rake a field

full of fallen leaves. I imagined, still half asleep,

the sound of claws digging through

deep undergrowth, sparks of electricity

thrown this way and that, lightning flashing

with your frustration below the surface.

"I'm a hag!," you would call out,

and on a good day you would be laughing,

throwing that calico brush to the floor

like a weapon no longer of use.

But I loved your hair, thick and stubborn

its springs and tendrils always reaching upward,

shining like sunlight through whiskey,

threads of silver arriving much too early

for your liking. You said they were your ghosts

returning to have their say, too many

forgotten lives for you to keep track of.

Now, I dress for an early autumn, no matter

the weather, a far cry from the young man

you once loved; and you have become

another ghost to walk beside me, stirring

the trees, brushing the clouds aside as easily

as spider web, curtains, or breath.

TURBULENCE

 

Flying into New York for the first time,

all those years ago, the plane gliding through

wisps of white cloud, waving and vanishing,

before the gray and the darkness

rose to meet us, rough knots of wind

jolting us one way, then another, as if God,

having failed to reach us through other means,

was again trying to get our attention.

Lightning broke like a crack in the glass,

the plastic curtain of the window falling shut,

while my anxious mind immediately began

to map out the details of our demise,

engines coughing and sputtering into silence,

the passengers behind us praying without reserve,

the strangely serene drop from 40,000 feet

to some abandoned field, your thin summer skirt

with its pattern of daisies blending into

the long, wet grass, the shapes of our bodies,

appearing to be running -- whether toward

each other or away -- imprinted into the earth.

But just as quickly, the darkness gave way

to sunlight, the clouds began to erase and rewrite

themselves, shapes of commas and ellipses

trailing off, above and below, the brief story of

our life together -- part comedy of errors,

part tragedy -- still being written, still in search

of an ending that would make sense.

SEARCHING FOR THE POET'S GRAVE

 

They are searching for Lorca's remains again

today, their big yellow machinery

nudging and clawing at the silent earth,

scooping out rows and rows of doorways

along this withered patch of soil.

Though no one is here now to answer them,

no one to say, No thank you, sirs,

I'm not interested in returning,

and your Bible is no map for my soul.

But they have not questioned the cloud formations

in passing, nor the monuments of generals,

nor the crooked olive trees, unwaveringly lazy

in their beauty, witnesses to all.

No one has called in the sun and moon

to spit out their long and secret songs, explain

their absence when needed most.

No one has yet knocked upon my door,

demanding to peruse the shelves,

where they would surely find the one they seek,

still speaking, unafraid, his linen suit

not even wrinkled.

But the workers, naturally, will go on

with their labors, long past sunset,

coming back empty handed, the shapes of

new countries emerging through their shirt-sweat,

while the poet just goes on dreaming,

as he did a hundred years ago,

the witnesses to his whereabouts

now seemingly everywhere.