DREAMING OF OLD JOBS

 

We still dream of those old jobs, the ones leading only to the next shift, the next break, the next paycheck and day off, to rest and to worry, and start it all over again. Those jobs that we gave so many years to follow us like ghosts, tracking us down in our anxious sleep, as if we had left one detail or another unfinished, forgot to lock up or turn the thermostat down. The waitress balances her tray of trembling water glasses two decades after she has retired, a cacophony of voices still calling out their orders. The bus driver turns his oversized wheel onto a street with neither a name nor discernable stops. Your mother still packs shells at the munitions plant ten hours a day, and your brother tears sheets of steel from the shearing machine into eternity, tiny stars of metal glinting beneath his skin. While you stand on the loading dock of a crumbling factory, ringing the service bell again and again. It's so early the birds are not yet stirring, the winter darkness folding in around you. But you have been here long enough. If no one answers this time, you think, you'll force yourself to wake, and be gone.

REQUIEM IN WINTER

 

The last hands to touch you were not mine, nor those of any friend or lover, but the powder-blue latex gloves of paramedics, helplessly shaking you, tapping at your thin neck and wrist, while a deputy sheriff -- whose shoulder had broken in the door -- stood by, as if your small body sleeping in your own bed were a crime. Part of me must have stayed in that bed we once shared, but no part that could have saved you. Have we let you down, allowing you to leave this way? How could any of us have known all the different definitions of alone? The last hands to touch you lifted you cleanly from this life, wheeled you out and up the narrow stairs we climbed a thousand times. My mind cannot fathom more -- not the coroner's cooling board and creaking drawer, not the scalpel used to search for what was already gone. So I leave you here, where it is always the same cold morning in January, the door frame hanging like a broken cross in the entryway, and you tucked beneath a fresh white blanket like a child, almost smiling. A flock of wild turkeys has wandered up the bluff; the sky is so bright it blinds.

BETWEEN BURSTS OF THUNDER, WE HEAR ROBINS SINGING

If we cannot learn the song

of these birds, calling through

the shuddering dark, let us at least

better study their silence.

If we cannot know the secrets

of their flight, let us at least

acquire the stillness they have

perfected on thin air.

MAN AND CROW

 

No one remembers now how or when, but the crow took to Grandpa Nels, and he took to the crow, until it began to follow him far into the field, the two of them talking about whatever it is that a man and a crow discuss -- the likelihood of rain, the ordinary things that matter most, or what it means to be alone on this earth. When he carried water from the well to the barn, again and again, the crow tagged along. When he fed the fox that slept in the shed, never bothering the turkeys in their pens, the crow kept watch. Grandma said the bird was so smart it could count and answer your questions, and always knew when you were talking about it. They took to speaking Finnish, the way they did to keep the kids from listening when they argued. They forgave it for stealing coins and buttons, a thimble, and even Grandpa's teeth, which were eventually returned. When it vanished, no one knew just why. It simply had crow work to do, perhaps a family of its own to watch over. But it left its absence in all the places it had been. Grandpa's shadow grew thin, his body frail, and whatever had been spoken between them remained so, white clouds sweeping clear the summer blue sky.

CIRCLE ROUTES

 

The Canada geese this morning

are plodding in weary circles

along the side of the road,

one after the other, waiting for

this gray Autumn rain to lift

to begin their long flight

back to where they started from.

MY DAUGHTER SPEAKS OF BIRDS

 

My daughter speaks of birds, speaks in wonder

of their sing-song call and response,

their endless reserve of resilience and guile

in the face of all manner of adversity,

the sudden and startling grace of their flight,

which, after all this time, continues to

amaze those of us standing

flat-footed on the earth below.

She asks which bird I might come back as

after I have departed from this life,

and how she will know it's me.

"Fly close to me three times," she suggests,

"then give out one call." This seems

a reasonable request, provided my new

bird-self can remember the details.

Our ancestors, after all, believed that

the soul was carried in, and away,

on the wings of the sielulintu,

that the whole of earth and sky were formed

from the broken shell of a fallen egg.

We settle, for now, upon a common jay,

brightly handsome but unassuming,

vigilant in watching over its family, never

straying far from its wooded home.

We have, I hope, the better part of this life

to draw our fragile maps,

perfect our signals, our language

of mutual understanding.

FIRST APARTMENT

 

When I think of being seventeen, I think

of that dingy one-room apartment above

the nameless laundromat, its dirty glass clouded

with steam, potato-sweat stench and clutter

of that windowless apartment, rickety wooden stairs

leaning wearily against the red brick outside,

ready to collapse, shifting even without the weight of steps.

I remember the anonymous maps of water-stained

walls, so thin that I could hear my neighbors

coughing and brushing their teeth, playing the same

sad songs over and over, could feel the vibrations

of the industrial washers and driers below, like invisible

lovers nearing climax, never quite arriving.

When I think of being seventeen, I think

of walking to school in the dim morning, the afternoon

bus ride to work, bleary-eyed, the endless hours

given over to others in the name of survival,

collapsing at night onto a musty mattress

on the floor; I remember the kindness and mercy

of young women who passed through,

bringing canned soup and the comfort of touch, so new

and foreign, the small curtains of their mysterious

rooms opening just enough to let in the light,

remember the Dutch Bar across the street,

the line of gleaming Harleys outside, where someone

seemed to get stabbed every other week,

and the elderly deaf mute down the hall signaling

to no one in particular, a pinched sound like

a distant bird rising from the well of her throat,

a word of caution, perhaps, or insight that

I could not understand, then or now.

MY MOTHER'S GUITAR

 

My mother's guitar, silent now these

past few years, rests in a corner of the room,

behind that old worn chair, each weary,

each leaning in their separate directions.

I remember clearly the first songs

it offered up: Froggy Went A-Courtin,

Blowin' in the Wind, The Wayfaring Stranger,

remember, too, the warm earthen smell

inside its Bible-black case, the ghost image

of its six strings in that gold plush lining,

long, thin roads disappearing into themselves;

I can see the wooden cathedral hidden

within the sound hole, small sparks

of angled light drifting in and out of view.

The hands that made those chords ring have

flown like birds, far away, hands gone

arthritic, fingers alternately tingling and numb.

But I can still feel the fine ridges wrapped

around each string, how the smallest touch

sounded like a secret being whispered,

a kind of conjuring with no need for words.

It rests here now, between journeys, exhaling

nearly audibly, holds its songs closely,

forever patient in its memories, its history,

its knowing, not forgetting the breath

and blood that rose to meet it,

not letting go of any of it. Not just yet.

I HAD NEARLY FORGOTTEN

 

I had nearly forgotten the poem

you had sent to me, one

that I had tucked away

to read in a quieter moment,

a moment much like this --

the low winter sun sifting through

the delicate maps of frost

upon the window glass,

blue folding imperceptibly into

gold and back again,

and each word offering itself

like the smallest of birds,

the kind my young daughter paints

with two quick brushstrokes,

each small movement threaded

to another, lifting the whole

of the sky with ease.

WHY I LIVE IN A COLD CLIMATE

 

Because the sound of ice cracking beneath my feet reminds me of wooden ships creaking as they awaken for a journey. Because that journey can be long and arduous. Because frost collecting in the corners of darkened window glass becomes a kind of map, more reliable than starlight alone. Because I always liked you in a hat, and our bodies draw sudden sparks beneath the drab woolen blankets. Because our breath here can be seen as easily as any cloud passing, our silence sent skyward along with our prayers. Because in winter we walk easily upon water, never questioning the river's current or where we might have left the shore. Because you can follow the tracks of those who have trudged through the snow before you, making a path for others yet to come. Because sound travels far in the cold, and we have learned to listen. Because the Cardinals and house finches remind us to sing, in spite of it all. Because there are as many names and varieties of snow as there are for their Creator. Because whenever you drop a glove here, a stranger will inevitably call out, saving you yet again, and your saying thank you is really an offering of love you cannot quite admit to. But you feel the warmth of that fabric once again encircling your fingers, small but undeniable, feel the pinprick ache of blood's knowing return, and that may be enough for now.

A CALL IN THE NIGHT

 

What to make, then, of this lone bird calling out, long before the first glimmer of morning light? Maybe she has dreamed a human dream, I think, and woke in a terrible fright. Or maybe, like all of us, she just wanted to make sure that the world was still here. She hears the sound of her own voice echoing, one small proclamation among the silence of leaves and stars, her voice declaring only her own bird-ness. She feels the breeze, the air shifting imperceptibly around her song, feels the breath of something larger stirring in the dark. And she is at ease once again.

BROTHER SONG

 

Brother, have you at last earned

the peace and solitude

which somehow eluded you

on this side of the earth?

Perhaps you speak now in ways

I cannot hope to understand:

the repeating parentheses

of gently falling snow,

insistent pulse of a birch tapping

against the window glass,

sudden shock of a crow wing torn

and frozen to the sidewalk.

You, who saved up your words

like trinkets for a rainy day,

offer no reply but this,

the space you have shaped

in your former image.

Or perhaps your silence has

become your song at last,

the one you had been secretly

rehearsing all along.

WHAT MY FATHER FOUND

 

My father says that he remembers nothing

after finding my grandmother, thrown as if by

force upon the kitchen floor, her blue eyes gone

blank as river stone, blood not red but black,

reaching as one hand did into the stillness of air,

the other held inward, as if cradling a book

which no one could have seen or deciphered.

He remembers the amber bottle of arsenic glinting

in sunlight, the maddening shouts of the crows,

the strange weight of his own breath hovering;

remembers walking slowly back to the car,

easing it up the gravel road to the Halverson's

to start up a game of afternoon baseball.

I cannot pretend to know his thinking in these

moments, or whether all thought simply fled.

Yet in my mind's eye I see him, unwashed jeans

dragging at the heel, the bill of his cap pulled low,

walking much the same as I did at that age,

hands in pockets, gazing vaguely at the ground.

I can see him kicking at the dirt, signaling,

his worn H&B bat suddenly connecting, startling

the barn swallows out of their secret chambers,

the thin, red stitching of the ball turning

and turning, fast upon itself, shooting past

the billowing tops of summer trees; and below,

the lengthening silhouette of that farm boy

running, running toward a fierce blinding light

where, for one imperceptible moment,

he somehow manages to all but disappear.

THE NAMELESS BIRD

 

So often we mistake beauty for the light behind it.

We know better, but it's one of our favorite lies.

We long for clarity, seen through the lens of unreason.

Love itself walks between, where all hope lies.

I don't know how the geese find their way back every year,

or what causes two lovers to agree upon the same lie.

These winter crows don't care to know your name;

but they recognize friend from foe, and they never lie.

The bird in your heart doesn't understand that it's caged.

It sings when spoken to, sleeps where its shadow lies.

Death wins the final argument; we understand this.

But that doesn't make the songs we sang suddenly lies.

It's true, brother, that I should visit more often than I do;

but the grave is not where any of our memories lie.

It's no use asking me who is living and who has gone.

If you want the truth, let me begin with this lie.