How many times, during those early years
of childhood, did I imagine the angled ridge of his jawline,
sharp with stubble, rough to the touch,
of Aqua Velva aftershave, rye whiskey,
the faint residue of Lucky Strikes.
How I imagined, too, his ears, their lobes thick
and dangling like bells, his nose -- sometimes wide,
sometimes narrow -- dark pores oily with sweat --
and, of course, I tried hard to see his eyes,
their size and shape, what light might have been
captured there, the level of their questioning,
the depth of their feeling or recognition.
My mother, having not a single photograph
to show, said only that if I wanted to see
my father's face, I could just look in the mirror.
But to me, it might as well have been
the face of God, Jesus, or Job, those mythical
faces seen only in my imagination.
It was, after all, the face that my mother
once held, smiled back at, and breathed in deeply,
if only for that moment, the face that would
refuse, again and again, to look upon my own.
Though it was hard to imagine even
a narrow smile upon that face; and equally as hard
to conjure a look of sorrow or regret
brought forth by the burden of his leaving.
It was, I realize now, the face that was
always there, face beneath my own, long before I could
see or remember, its own shroud and palimpsest,
forever turning and turning away,
even now as I write these lines, a mask
of interiors silent as river stone, unraveling on sight,
a tale to be believed only by its absence.