It's impossible to know who is behind
the camera's noisy shutter, capturing these
mourners gathered beneath a haze
gazing, without exception, at the dry ground.
Not so unusual, perhaps, for a people
known for their stoicism, for not making such
a fuss about this life, whose language has
many words to describe the existential weight
of snow and ice, but lacks any future tense.
The pallbearers stand on the back of the flatbed,
the hand-carved coffin between them,
men long accustomed to labor, not quite
prepared for this task, their faces shadowed
by grief, hands held close to their bodies,
as if already clutching at bits of earth.
My father is the baby here, knowing only
his own hunger, memorizing each face,
the sound of their voices, each particular touch,
while my mother, many miles away, has not
yet opened her blue eyes to this world.
My great-grandmother is about to move,
slowly, just outside of the picture frame,
becoming, seemingly overnight, part of what
we call history, that lengthening shadow
we each carry, yet never quite manage to catch,
that which shows no sign of stopping
for us, or even of slowing down.