MY DAUGHTER SPEAKS OF BIRDS

 

My daughter speaks of birds, speaks in wonder

of their sing-song call and response,

their endless reserve of resilience and guile

in the face of all manner of adversity,

the sudden and startling grace of their flight,

which, after all this time, continues to

amaze those of us standing

flat-footed on the earth below.

She asks which bird I might come back as

after I have departed from this life,

and how she will know it's me.

"Fly close to me three times," she suggests,

"then give out one call." This seems

a reasonable request, provided my new

bird-self can remember the details.

Our ancestors, after all, believed that

the soul was carried in, and away,

on the wings of the sielulintu,

that the whole of earth and sky were formed

from the broken shell of a fallen egg.

We settle, for now, upon a common jay,

brightly handsome but unassuming,

vigilant in watching over its family, never

straying far from its wooded home.

We have, I hope, the better part of this life

to draw our fragile maps,

perfect our signals, our language

of mutual understanding.

THE COUNTY LINE

 

(Tyyne Natus, 1906-1953)

Having waded through the green waves of ditch grass

and wildflowers, bramble grown nearly waist-high,

the prickly stems of young strawberries

and the private cosmology of gnats, we arrive

like casual explorers to examine the broken foundation,

hidden from view off the highway, of what once was

The County Line Bar, place where my grandparents --

only yesterday it seems -- served up drinks

to the always thirsty locals and those passing through,

and no doubt consumed as much as they sold.

Who's to say that these ruins are not sacred,

or their ghosts worthy of remembrance?

Just over there, my grandmother stood for what has

become my favorite photograph of her, framed

on either side by my grandfather and two regulars,

laughing, girlish and seemingly without care,

her small dog held close against her, one cloud of breath,

all but invisible, hovering in the crisp winter air.

This is how I want to remember her, her smile

like a sudden flash of daylight, the gold in her hair

shining, even in black-and-white -- before the loss

of a son on the other side of the world tore

something in her irreparably, before the alcohol bruised

and the weight of her days became too much.

I need to remember this moment, if only for myself,

to remember that she knew joy upon this earth,

the ease and gentleness of common things,

that she loved and was called beloved in return.

THE LAST SUPPER

 

When Aunt Anita got word from the clinic

that the cancer was fanning outward

like a web of newly shattered glass,

and that it was, in fact, inoperable, she promptly

planned a get together for family and friends,

an informal wake that she would attend,

and which she dubbed -- not without a touch

of gallows humor -- her last supper.

She arrived in a ball gown, sequined and sparkling,

her long dark hair newly styled, flitting

from table to table, bar stool to bar stool,

glasses raised and clinking, remembering both

the good times and the hard times with

those she knew -- and she knew nearly everyone.

She was their confidante, keeper of their

stories, their sorrows, and secrets.

The next morning she slipped quietly into

a coma, one long dream receding into

another, never again to wake.

Born into nothing, into a town so insignificant

that no one had bothered to name it,

she left this world, nonetheless, dressed to the nines,

a benevolent ruler with a Louisville slugger

tucked behind the bar, just in case.

She left, quite simply, glowing.

MY FATHER FLYING ABOVE REYKJAVIK

 

It's sometimes hard to imagine my father's face,

even when looking at an old photograph.

In my mind's eye, he is always turning away,

as he is in this moment, maneuvering through the clear

arctic air 10,000 feet above the city of Reykjavik,

as far removed from the fields of Aitkin, Minnesota

as his imagination would have carried him.

I can see the smooth, unlined flesh of his neck

peeking between his military cut and Air Force collar,

can see the blue-green lights of the control panel

blinking like stars, now closer, nor farther.

This would be long before he met my mother,

before he left us, and those families which came before.

This is, you might say, a test run for leaving.

He is an apt pupil, willing to put in the long hours.

Does he spare a thought then for his older brother,

my uncle Leo, drowned, so very handsome at

the foot of Mount Fuji, his uniform weighing him down,

a birthday card written out to his sister floating

on the silent surface like a forgotten map?

Or does he think only of this -- the acceleration

and ascension, the world falling away below,

everything making more sense from this distance?

The sky trails behind him like a new signature.

He may never come down again.

DOG DAYS

 

Those long summer evenings of childhood,

when the air stilled, thick and sticky with heat,

and it became impossible to sleep,

my brother and I would bring our pillows

and bedclothes into the living room,

camping out on the floor like intrepid explorers,

stripped down to our white briefs,

our thin cotton sheets billowing like sails

toward the uncharted waters of sleep.

We could hear the chirr of crickets,

and the thump of moths against the screen,

dreading the high and tiny sirens

of thirsty mosquitoes circling the dark.

We would take turns getting up to readjust

the old box fan, which rattled and shook, never

quite staying put but pulling itself forward

bit by bit, or turning slowly to the opposite wall,

as if it knew a better way out of this misery,

this engine to our imaginary boats,

so clumsy and so stubborn, though it was

all we had, its rusted heart and grimy blades

slowing and sputtering to a stop, then

starting back up again, shaking off its own sleep

for our sake, and always -- we hoped --

strong enough to bring us home by morning.

SENSITIVE

 

I have never wanted for you, dearest daughter,

to be anything other than the beautiful and sensitive

soul you have always been, collecting oak seeds

to watch them spin back down to earth,

those long-stemmed dandelions bent over, as if in prayer,

deciphering the forms of strange new animals

among the clouds, where the ancestors sleep,

faces smiling back from the most ordinary of stone.

I have admired, as an outsider, the special language

you share with birds and trees, how the cats

in the neighborhood all come to you, unafraid,

knowing you already, and how you mourned deeply

the death of your beta fish, the one you called

your sister and confided your worries to.

I have heard you choosing each word for a poem

or song, tapping them against the roof

of your mouth, letting the new sounds settle,

until they filled your ears as perfectly as the silence,

watched you conduct, with arms gently waving,

a string concerto constructed in your mind;

and when bullies have thrown their sharpened words

like so many stones, I have sat within your sorrow,

unable to offer an answer as to why some, young

or old, simply enjoy the act of causing harm.

These are the times when I want nothing more than to

protect you from the inclement elements of self,

the ever-shifting atmosphere of your inner world

overwhelming you, to close, temporarily, the windows

against the sudden rain of summer, until the sun

again finds its way, small enough to tuck into

your pocket like a coin, thin and hot to the touch,

rubbed smooth at the center, reflecting.

CARRYING MY DAUGHTER TO BED

 

My daughter, so proud lately of her lengthening limbs

and muscles, still asks, on most evenings,

to be carried to bed, which -- amazingly, though

with no small effort -- I am still able to do.

Long gone are the days of lifting her with ease,

as though moving one of my own limbs,

absentmindedly, up or down, gone now the special hold

I somehow stumbled upon when her wailing --

as if the entire anguish of the world had

been condensed into one elongated vowel --

simply could not be consoled, her small and fragile

body held out before me, head resting snugly

in the palm of my hand, her torso fitting perfectly

into my forearm, her flat and skinny feet,

not yet having touched upon earth

or grass, reaching out into the air, unafraid,

and we swayed that way, gently, almost imperceptibly,

upon the kitchen linoleum, until her cries

drifted slowly into coos and gurgles, and at last

into the welcome silence of sleep.

Tonight, I carry her down the narrow hallway,

turning sideways, and with little grace on my part,

dropping her into the soft familiarity of

bedsheets and blankets that bear her fragrance,

her shape still faintly visible from the night before,

where she will drift again into weightlessness,

her body building itself even when she

is seemingly gone, as the map behind her eyelids,

the one only she can read, draws her

forward, relentlessly forward.